There are so many seashore towns in Portugal that it’s hard to single one out. But Porto Côvo, an old fisherman’s hamlet on Alentejo’s Vicentine coast, deserves special mention. It is blessed with sandy beaches bathed by turquoise waters and a view to the enigmatic Peachtree Island where two forts, now in ruins, once kept pirates at bay.
In the late 18th century, Jacinto Fernandes Bandeira, a successful businessman, bought a vast stretch of land in Porto Côvo. He hired an architect to draw plans to populate the area and turn it into a significant harbor. The king rewarded these efforts by granting him, in 1805, the title of Baron of Porto Côvo da Bandeira.
Bandeira’s plan was inspired by the grid system used to rebuild downtown Lisbon after the 1755 earthquake. The construction of Porto Côvo did not adhere closely to it, but its sense of geometry prevailed, giving the town a harmonious feeling.
In the center, the farmers market brims with fresh fruits from land and sea. Local restaurants turn these products into appetizing meals. Our favorite is Lamelas, a place where chef Ana Moura serves veritable culinary pearls. We owe these riches to Baron Jacinto Fernandes Bandeira who first recognized the beauty of Porto Côvo.
We arrived late in the afternoon and waited outside the imposing marble gate. Before we could say ‘abracadabra’ or some other incantation, the gate opened, welcoming us to Quinta Dona Maria, a magnificent wine estate in Alentejo.
Isabel Bastos came to greet us. We walked with her to the palace’s chapel and sat down to hear her recount the story of Quinta Dona Maria. The estate was a gift from King John V to Dona Maria, a lady of the court with whom the king fell in love. Dona Maria left no descendants, so the property was sold in a public auction upon her death. The Reynolds, a family of merchants from southern England, purchased it. They renamed the estate Quinta do Carmo in honor of an image of the Lady of Carmo they bought for the chapel in 1752. The estate currently belongs to Júlio Bastos, Isabel’s husband, who descends from the Reynolds family.
Júlio’s grandfather started producing fine wines on the estate. The project was so successful that in a blind tasting with the Rothschilds held in the late 1980s, the wines from Quinta do Carmo tied with Lafitte Rothschild. Impressed by this feat, the Rothschilds proposed Júlio Bastos a partnership. But the two winemakers had different objectives and approaches. Júlio is passionate about the old vines planted with the traditional varietals of Alentejo, most of all Alicante Bouschet, a varietal brought by the Reynolds from France to Alentejo. The Rothschilds wanted to replant the vineyards with French varietals that could appeal to the international market. Eventually, the two parties separated. In this process, the Rothschilds kept the brand Quinta do Carmo, so Júlio renamed his wines and estate Quinta Dona Maria.
We walked to the wine cellar to see the 18th-century marble tanks where the grapes are still crushed by foot treading. The tanks were brimming with grapes that were starting the fermentation process that transmutes earthly grape juice into heavenly wine. Isabel served us an enticing rosé with pleasing fruit notes and refreshing acidity. Next, we tried a delightful white Viognier that shows how much this French grape shines in the soils of Alentejo. The tasting ended with pomp and circumstance provided by two sumptuous Dona Maria red reserves from 2005 and 2008.
It was time to go to the palace. The large door creaked as it slowly opened to show us rooms lit by candlelight that made us feel like we were back in the 18th century. Júlio joined us for dinner. His love for the land, food, and wine of Alentejo were evident throughout the meal.
The dinner, prepared by Filipe Ramalho from Páteo Real and Beatriz Tobinha, the palace’s resident chef, was a memorable feast. It started with Filipe’s famous tart made from chestnut-flower sausage, pears cooked in wine, quince marmalade, and chard. Then there was a slew of appetizers: tomato and watermelon salad, roasted peppers with bacon, slices of the brilliant sausages made at Salsicharia Canense, plates with savory Alentejo cheeses, and chickpeas with pickled codfish salad. A rich white Dona Maria reserve delicately aged in oak was an enthralling gastronomical companion.
Next came the main dishes: cação (a fish popular in Alentejo) in coriander sauce, pheasant in escabeche sauce and marinated carrots, and duck croquettes with black garlic mayonnaise. A splendid Dona Maria red reserve from 2017 made from old vines complemented the food with its festive taste of berries and hints of spices.
The dessert was an almond and pumpkin tart paired with the famed Júlio B. Bastos Alicante Bouschet, named after Júlio’s father. The wine’s acidity, tannins, and fruit sing to the palate in perfect harmony.
Glancing at the watch, we saw the two hands pointing to midnight. We knew from fairy tales that it was time to leave. We thanked Isabel and Júlio for their warm hospitality and drove back to our hotel. We slept peacefully but woke up wondering: was the dinner at Quinta Dona Maria a dream?
Susana Esteban agreed to present her wines at the Arraiolos Pousada in September. It was an act of generosity because the harvest was in full motion, and she’s a perfectionist. Like the photographer Cartier-Bresson, she’s always looking for the decisive moment. The moment when the grapes are perfectly ripe to be gently harvested by hand, when the fermentation has run its course and worked its magic, when the oak barrels have refined the wine without changing its temperament.
As soon as Susana started talking, the sun set as if sensing that another star had arrived. Her Portuguese is seasoned with a charming accent–she was born in a Spanish region called Galicia. After graduating in enology, she decided to do an internship in the Douro valley, a place that was then remote and isolated. She stayed and worked in the Douro during her formative years. Then, like the swallows, she went south in search of something new– vineyards where she could develop her style and make wines that can age and evolve for many decades.
She made her first wine in 2011. It is called Procura, the Portuguese word for search. Susana found what she was searching for in the hills of São Mamede in Portalegre–centenarian vines full of character. They needed a lot of care, but Susana nursed them back to health with patience and affection.
Susana is cloning the old vineyards to preserve their genetic material and pass it onto the new vineyards that she is planting. None of her vineyards, new or old, are irrigated. The thirsty vines produce low quantity but high quality.
We first tried a rosé made from Aragonês and purple muscatel that is pleasantly aromatic and light in alcohol–a perfect summer drink.
Then, we tasted an exquisite white wine made in amphoras called Tira o Véu (removing the veil). The first time Susana made it, in 2019, she witnessed a rare phenomenon: a veil formed on top of the amphora. It is a film created by yeast highly prized in the production of sherries. No one knows what makes it occur, but every year the veil returns to make this wine more seductive and mysterious.
Next, we drank an alluring red wine made with Touriga Nacional and Aragonês. For Susana producing wine is an adventure, so she calls it Aventura. We’re lucky to be part of this thrilling experience that results in a wine full of freshness and minerality.
Finally, we tried the wonderfully harmonious 2016 red Procura. It combines a field blend with Alicante Bouschet from ancient vines aged in oak to round the tannins. It is a “vinho de guarda,” a wine with great longevity that will improve and surprise with the passage of time. We’re so lucky that Susana found the vineyards she was looking for!
We loved the sausages served during our epic lunch at Páteo Real. Chef Filipe Ramalho offered to call Dona Octávia, the sausage maker, to see if we could meet her. She agreed, so we drove through the golden plains of Alentejo to a small village called Cano. Blinded by the exuberant sunlight, we knocked on a green door marked Salsicharia Canense. Dona Octávia welcomed us inside, greetings us with glasses of cold water that quenched our thirst.
She’s been making sausages for 40 years. Her parents had eight children, so there were many mouths to feed. Everybody had to work to help out. The only education available to Dona Octávia was learning how to make sausages with her grandmother.
She opened Salsicharia Canense with her husband in 1997. People quickly noticed that her sausages were finer than the rest. “I enjoy my work and try to make everything I do special,” Dona Octávia confided. She has always used local ingredients–pigs raised in Alentejo and herbs from her garden or the nearby Portalegre mountain. She uses no preservatives or foreign spices, and all her sausage casings are natural and hand-sewn.
Dona Octávia says she was born poor but now feels rich because her son João returned to Cano to work with her and preserve her culinary knowledge. It’s the kind of wealth that trickles down to us all.
Salsicharia Canense is located at Rua de São José, Cano. You can order their products by calling 962 938 107.
It is great fun to visit Howard’s Folly in Estremoz. The restaurant, winery, and art gallery are a joint venture between Howard Bilton, a British financier, and David Baverstock, a legendary winemaker.
After studying enology in his home country, Australia, David worked in France and Germany. Before returning home, he vacationed in Portugal and met his future wife, Maria Antonieta. He returned to Australia to work in the Barossa Valley, where Maria joined him. But Maria was homesick, and in 1982 the couple came back to Portugal. David worked in the Douro valley until 1992, when he became chief winemaker at Herdade do Esporão in Alentejo. He felt at home in the endless plains that reminded him of Australia. His thirty harvests at Esporão helped establish Alentejo as an important wine region.
Howard’s Folly is an exuberant place. It occupies a large building that was once a “grémio da lavoura,” an agriculture association. There is art everywhere. Sewing machines turned into miniature tractors bought in the local market, pig sculptures, and much more.
David shows us the winery with its colorful walls painted by a graffiti artist. Freshly picked grapes are arriving to be sorted, crushed, and cooled with dry ice.
We head to the restaurant. The food, prepared by chef Hugo Bernardo, is Portuguese with a whimsical British twist. The butter has a strong umami taste because it is mixed with Marmite, a salty yeast extract popular in Britain.
David opens a delightful white wine called Sonhador (dreamer), made from old vines planted in the hills of São Mamede in Portalegre. It is an excellent companion for the codfish and chips that soon arrived at the table. Then we try the Winemaker’s Choice, a velvety red that pairs beautifully with a delicious shitake mushroom salad.
Lunch ends with a glass of 1991 Carcavelos. The wine, produced at Quinta dos Pesos by the Manuel Bulhosa family, was stored in barrels and almost forgotten. David and Howard convinced the family to sell them some barrels so that David could make a blend. The result is spectacular.
David retired from Esporão and was planning to take it easy. But Ravasqueira convinced him to join them as chief winemaker. And that is lucky for us. We’ll be able to enjoy many more of David’s harvests to come!
Howard’s Folly is located at Rua General Norton de Matos in Estremoz, tel. 268 332 151.
In the middle of the 19th century, Henri Bouschet crossed Petit Bouschet, a combination of Aramon and Teinturier de Cher conceived by his father, with Grenache. The new varietal, Alicante Bouschet, produces wines with a beautiful dark-red color.
Over time, the French lost interest in Alicante Bouschet. But the grape found its home in Alentejo, where it flourished and transformed, becoming one the region’s most emblematic varietals.
Alicante Bouschet was first planted in Alentejo at the end of the 19th century by the Reynolds, a British family that purchased Herdade de Mouchão. It is the star of the wines made by Julio Bastos, an heir to the Reynolds family, at Quinta Dona Maria.
The photo shows some beautiful Petit Verdot (on the right) and Alicante Bouschet (on the left) grapes picked at Monte da Ravasqueira. Like Petit Verdot, most red grapes have white pulp. That is why we can make white wine from red grapes (“blanc de noirs”). If we extract the red-grape juice and avoid contact with the skins, the result is a white wine. If we allow for some skin contact, we get a rosé.
Both the skin and pulp of Alicante Bouschet grapes are red. This type of grape is called tintoreira (dyeing) because it gives color to the wine. But it has much more to offer: enticing aromas, structure, concentration, and aging ability. Open up a bottle of Alentejo wine, and you’ll see!
We drove to Alter do Chão in Alentejo to have lunch at Páteo Real, a restaurant headed by a young chef called Filipe Ramalho. Páteo Real means royal courtyard, a reference to the castle of Alter do Chão, which stands proudly in the restaurant’s backyard.
After working in fine dining for seven years, Filipe wanted to put the new techniques he mastered at the service of the traditional cuisine of Alentejo. When he learned that Páteo Real was for sale, he drove there on a Friday and closed the deal by Monday.
But this new beginning was tough. The locals suspected the restaurant would charge high prices for small portions of pretty food. Visitors were few and far between. One year later, it is difficult to get a reservation–the restaurant is full of visitors and locals. And for a good reason: its food is a delicious evolution of the traditional cooking of Alentejo.
We sat in the courtyard under large white umbrellas that protected us from the exuberant Alentejo sun. A waiter filled our glasses with “O Nosso,” a pleasant white wine from Serra Papa Leite. The meal started with Filipe’s signature dish: a tart cooked with farinheira sausage made with chestnut flour, topped with pears cooked in wine, quince marmalade, and chard. This unusual combination is so harmonious that it will likely become a classic.
A plate of sliced sausages followed the iconic tart. Alentejo’s sausages are generally excellent, but these are exceptional. They come from Salsicharia Canaense, an artisanal producer with whom Filipe collaborates. Their products also starred on the following two plates: cabeça de xara (a pork preparation) served with pickled purple onions and coriander pesto and delicately smoked bacon served with roasted red peppers, olive oil, coriander, paprika, and large capers.
Next, we tried some delightful duck croquettes served with puffed rice and coriander mayonnaise. The savory part of the meal ended with duck livers seared in brandy and combined with thinly-sliced fried potatoes. It is an explosion of flavor. “When we recommend duck livers and the clients hesitate, we offer a money-back guarantee,” said Filipe smiling. “People are always surprised at how good it is.”
The dessert was a delicious tart made from almonds and pumpkin jam. We loved the arch and rhythm of the meal. It kept our palates interested and left us deeply satisfied. It is a royal honor to dine in Filipe Ramalho’s courtyard!
Páteo Real is located at Av. Dr. João Pestana 37, Alter do Chão, tel. 960 155 363.
It is hard to believe that there’s a monastery larger than Lisbon’s Rossio plaza in the middle of Alentejo. Driving on the winding roads of the d’Ossa mountain, we almost lost faith. But we were climbing, and that is always a good omen. Convents often occupy mountain tops so that monks can be closer to heaven.
The first glimpse of the building is easy to miss. The sprawling monastery hides behind 600 hectares of olive trees, pines, oaks, ashes, and oleanders. After a few more twists and turns, we arrived at the Convent of São Paulo.
Marília Nanitas came out to greet us. She works for the foundation that manages the hotel. “Can you tell us the story of this place?” we asked with curiosity. “I can tell you a good lie, which is better than a half-truth,” she replied teasingly. Then, she lent us a book about the history of the convent.
What we learned from this tome is that it took centuries to build this monastery. The first edifice was a hermitage erected in the year 315. In 446, an earthquake partially destroyed the structure. When in 715 the Arabs invaded the region, the hermits abandoned the sanctuary.
The second king of Portugal, Sancho I, decided in 1182 to rebuild the hermitage as a monastery. In 1372, Dona Brites, the daughter of King Dom Pedro I and Inês de Castro, donated her lands near the convent to the monks. The royal family provided steady support, financing the glorious collection of cobalt blue tiles installed between 1710 and 1725.
After the state abolished religious orders in 1834, the convent was disputed for 37 years by two municipalities, Estremoz and Redondo. Before leaving the monastery, the monks protected the tiles with plaster walls. It is thanks to their ingenuity that more than 50,000 tiles have survived to this day.
When the government auctioned the convent and the surrounding lands, Henriqueta Leotte Tavares purchased it with her dowery. It was a dream to own a place like this. But also a burden, a responsibility to history. Over the next two centuries, Henriquetta’s family used their income from agriculture to restore the convent. The first generation built a factory that made tiles to repair the roof. The second generation hired carpenters to rebuild the doors and windows.
Henrique Lotte Tavares, a chemical engineer, belongs to the third generation. He has no descendants, so he decided to turn the convent into a hotel to preserve it for posterity. Between 1989 and 2009, Henrique oversaw countless renovations. In 1993, he created a foundation to manage the hotel and continue the restoration work.
How was life in the monastery? The Latin word “silentio” inscribed in the tiles reminded the monks of their vow of silence. There are many fountains, perhaps because the sound of flowing water makes silences feel less awkward. The monks could talk only on their way to lunch or dinner. To make the most out of these convivial moments, the friars walked slowly through the corridor that leads to the dining room, which became known as “passos perdidos” (lost steps).
We too walked slowly on the long corridors of the convent to savor the moments spent in this beautiful place so far from the hurries of modern life, so close to the tranquility of heaven.
The Convento de São Paulo is located at Aldeia da Serra d’Ossa in Redondo, Évora. Click here for the hotel’s website.
João Rodrigues spends most of his time flying as a pilot. Perhaps it’s in the sky that the muses inspire him. When he is on the ground, João runs Silent Living, a company that is reinventing the art of hospitality.
On a warm summer day, we got on the road to Casa no Tempo, a Silent Living guest house in Alentejo. It is a secluded place where only the wind brings news of the outside world.
At first sight, the house looks ordinary. It has a rectangular geometry with thick stone walls and a roof covered with weathered orange tiles. Then, we notice that the proportions are perfect. The sinuous swimming pool confirms that this is no ordinary place. Filled with emerald water, it looks as if it is made of salt.
The house is spacious, with large windows that frame the landscape. A light breeze flows through the rooms as if it owns the place. Walls, doors, and windows are painted with white hues that soften the sunlight. The floor is paved with cubes of orange tile that convey warmth and comfort. It all adds up to a wonderful sense of ease and tranquility.
A vaulted arch shades a courtyard with a large wooden table and some benches. While we went for a quick swim, two cooks set up the table for lunch with plates of local cheese, plump olives, and a basket of country bread. Glasses of refreshing white wine accompanied a gazpacho made from sweet tomatoes. The main course was lamb roasted with potatoes, a rustic dish that is deeply satisfying. The dessert was an appetizing fruit tart that came with cups of strong coffee.
After this delightful lunch, we sat in the courtyard watching the sun paint the landscape with layers of golden light. The sound of bells heralded the arrival of a herd of goats that strolled by the house without a care in the world. Then, a peaceful silence returned to this place where everything is simple and everything is perfect.
Seven years ago, we booked a table at Boi-Cavalo in Lisbon and chef Hugo Brito told us that dinner included a pairing with wines from a great family winery in Alentejo called Herdade do Cebolal. The wonderful food and wine turned the dinner into a party in which everybody talked to each other as if we were longtime friends.
We experienced the same festive feeling during a memorable lunch at the Lamelas restaurant in Porto Côvo. The spectacular food prepared by chef Ana Moura was accompanied by wines from Herdade do Cebolal. What is it about these wines that hang out with chefs who know how to turn meals into celebrations?
Ana told us that Herdade de Cebolal is a stone’s throw from the restaurant, so we called the winery to see whether we could go by for a visit. We were received by enologist Luis Mota Capitão. The winery has been in his family since 1880. His great-grandfather made wines and vinegars to sell to doctors for medicinal use.
Luís also wants his wines to be good for us. He avoids as much as possible using chemicals in wine production. And he is passionate about creating an ecosystem that is healthy and sustainable. The 20 hectares of vineyards are surrounded by 65 hectares of forest planted with cork and holm oaks, carob and lime trees, and many other species. He uses algae, including sargassum harvested in Porto Côvo, to fertilize the land because he believes it produces superior grapes. Luís encourages animals to roam the farm. There many bees, as well as chicken, hares, and sheep. Even foxes, lynxes, wild boars, and saca-rabos (Egyptian mongese), which are often considered a nuisance in other farms, are welcome at Herdade de Cebolal. “They all have a role to play and this land belongs to them too,” says Luís. Later, as we were leaving the herdade, we saw a large wild boar crossing the road.
Luís’ grandfather used to age the wines he served at Christmas time inside a water well. Inspired by this experience, Luís started aging wine in bottles immersed in sea water. The wines age faster and something magical happens, perhaps because of higher pressure, cooler temperatures, and less oxygen.
The herdade has many different types of soils and sun exposures. Luís says that the best way to illustrate this diversity is to go to the cellar and try some wines from the barrels. We first sampled a white from a vineyard planted in sal gema (rock salt) soil. It has great persistence and acidity. Then, we tried a complex white from “vinha do Rossio,” a vineyard planted by Luis’ great-grandfather 82 years ago. His grandfather added to the vineyard resulting in a mixture of 13 varietals, include some rare species like Tamarez and Tália. Next, we tasted an elegant blend of Arintos that is bright and fresh.
We moved from the cellar to a terrace overlooking the vineyards to try two fascinating reds: a clarete (claret) and a palhete. The clarete is made from Castelão, a grape popular in the Setúbal region. The palhete is made from a mixture of white (Antão Vaz) and red (Aragonês) grapes. These are highly enjoyable wines that can quench the thirst on a hot summer day. In old times, when drinking water was unsafe because of possible contamination with pathogenic bacteria, these were the wines preferred by farmers. Their alcohol content is relatively low (12.5 for clarete and 10.5 for palhete) but high enough to kill any pathogens.
Luís brought us some food to pair with the next two wines: a plate with wonderful sausages made in Alentejo from black pork, small cups of stewed chicken gizzards, an assortment of cheeses, and a delicious honey made from esteva (rock rose) and tojo (gorse).
A 2017 white made from Fernão Pires and Arinto paired perfectly with the cheeses. Then came the grand finale: a red called Caios, which was the name of Luis’ great-great-grandfather. It is produced only in exceptional years and it includes grapes from vines planted by different generations: Alicante Bouchet planted by Luís, Petit Verdot planted by his father and grandfather, and old vines brought from Saint-Émilion by his great-grandfather.
The sun had long retired and the Alentejo stars shined brightly on the vineyards. Luis kept talking with revolutionary zeal about the legacy he wants to leave to future generations: a way of producing wine that is good for us and good for the earth.
Herdade de Cebolal is located at Vale das Éguas. Click here for their website (in Portuguese).