When we dined at Marlene Vieira’s new restaurant, appropriately called Marlene, the place was packed. But, like a star performer, Marlene made us feel like she was cooking just for us, often coming to our table to chat about the food she served.
The meal started with a variation on one of her classic themes, the “filhós de berbigão” that she serves at Zun Zum, her more casual restaurant. This time, the filhós, a star-shaped shell made from fried dough, was gloriously stuffed with foie gras, reineta apple, and a Madeira-wine gel.
Next, came a trompe l’oeil preparation. It looked like cheese topped with prosciutto. But the cheese turned out to be an egg cooked at low temperature that, mixed with the prosciutto, created a festival of umami sensations.
We were taken to the sea by a delicate combination of violet shrimp from the Algarve accompanied by a gazpacho made with the shrimp’s head, topped with a percebes tartlet.
Then, we returned to land with two crusty loaves of bread, one made with wheat and rye and the other with white corn. They came with fragrant olive oil made in Trás-os-Montes at Quinta de São Miguel do Seixo.
The next menu entry was a delicate part of the codfish called cocochas seasoned with parsley and pine nuts. We reached the mid-point of our culinary journey with tasty white truffles and morel mushrooms stuffed with requeijão.
They were followed by a ravishing sole dressed in an asparagus sauce, butter, and caviar. We reached the climax with a savory pudding made with an eel broth seasoned with saffron and topped with the eel’s skin. It is sublime!
Dessert was a delightful pine nut mousse with apple granita and pineapple from the Azores. The petit fours were lovely: merengue with a strawberry cream, tangerine leaves, and macaroons stuffed with almonds and eggs.
We’re lucky to have a chef like Marlene Vieira, who studied the past to invent the future of our culinary tradition!
Marlene is located at Av. Infante D. Henrique, Doca do Jardim do Tabaco, Lisboa, tel. 351 912 626 761, email email@example.com.
If you’re up for a climb in Lisbon, we recommend visiting St. George’s castle. You can start at the bottom of the hill and go up the old meandering streets of Alfama, the only neighborhood that survived the 1755 earthquake.
At almost every corner, someone sells glasses of ginginha, a delightful liquor made from sour cherries. But it is unbecoming to drink ginginha from plastic glasses. We prefer to get it at “A Ginginha” in Largo São Domingos, where they’ve served it in proper glasses since 1840.
It’s worthwhile to buy the ticket to enter the castle. However, keep your expectations low–a first sight, there isn’t much to see. A bronze statue of Dom Afonso Henriques, the first king of Portugal, who conquered the castle from the Moors in 1147. A marble statue of Dom Manuel, the monarch who oversaw the golden age of discoveries by Portuguese navigators. Fountains whose water has run dry, broken marble columns, and cannons that are no longer battle-ready lie around the castle, all in medieval disarray. There are pines and olive trees, their branches sought by vain peacocks searching for a thrill.
The castle was built and rebuilt over centuries, first with cement and stone and then with brick and mortar. The layers of the imposing walls read like a diary of all those who lived here: Phoenicians, Carthaginians, Romans, Moors, and Portuguese.
What the castle offers are magnificent views of Lisbon. The city lies at our feet, making us feel like royalty—scratch your skin, and surely blue blood will trickle out. A map made out of tiles shows us the lay of the land. Nearby there are benches inscribed with the words of Sophia de Mello Breyner. What a beautiful idea to carve in stone the words of a poet!
We stroll around the castle until the sun sets down. Only then do we go downhill. Be careful because the cobblestones are slippery. And there’s no need to rush. There’s plenty of time to get to Largo de São Domingos and enjoy a glass of ginginha.
You can get tickets online at the castle’s website, here.
The Portuguese culinary tradition does not come from palace kitchens. It comes from the cooking of humble people who, in every season, took the best ingredients that nature offered and prepared them using recipes perfected over centuries. The food presentation is often rustic, but the taste is delicious because everything is harmonious and natural.
Many chefs are reinventing the cuisine of Portugal. But the truth is that there’s no need for reinvention. What we need is an evolution, the creation of new recipes that, like clams Bulhão Pato and Caldo Verde, bring joy to the dining tables of Portugal. Easy to say, but who can do it?
We know one chef who can: Marlene Vieira. Her Zun Zum and Time Out restaurants are indispensable stops in any culinary tour of Lisbon. Her food is creative, not because she wants to surprise or shock. Marlene’s originality stems from her ability to intuit new, delicious ways of preparing Portugal’s great food products.
Marlene started cooking at age 12. Her father, who owned a butcher shop, took her on a delivery to an Oporto restaurant that served French-inspired food. The chef invited Marlene to sample what they were preparing, and she was hooked. She loved the taste, the refinement, and elegance. Marlene spent holidays and school vacations helping out at the restaurant. She relishes the organized chaos of a professional kitchen, and cooking proved to be an ideal outlet for her bountiful energy.
At age 16, Marlene went to culinary school. She graduated as the best student and stayed as a teaching assistant, while working as a pastry chef at a boutique hotel. Up to this point, all her cooking had revolved around French techniques.
At age 20, a friend invited her to work at a Portuguese restaurant in New York. For the first time, Marlene had to cook traditional Portuguese food. She remembered fondly the food that her mother and grandmother prepared, but she did not know how to cook it. More than three thousand miles away from home, this young chef started to study the cuisine of Portugal. And for the first time, she realized that she had a role to play: embrace Portuguese cuisine and make it her own.
Marlene returned to Portugal inspired to learn more about traditional cooking. She continued to work in fine dining, but her cooking became more and more Portuguese. A breakthrough moment came when Time Out magazine chose her dish featuring a large shrimp called “carabineiro” served with an almond brulée as the year’s best recipe. This dish has the hallmark of Marlene’s cooking: it draws on combinations of ingredients and techniques that are hard to envision but feel utterly natural once you try them.
We asked Marlene whether she could share a recipe with our readers. She generously gave us a codfish recipe.
Portugal has many codfish recipes, but only a few have stood the test of time, like those of Brás, Zé do Pipo, and Gomes de Sá. Perhaps one day, this recipe will be known as Codfish Marlene. Enjoy!
Codfish Confit with Sweet Potatoes Gnocchi, Low-temperature Egg, and Pea Emulsion
Ingredients for four people
600 grams of codfish filets
2 garlic cloves
1 laurel leaf
400 grams of sweet potatoes
100 grams of flour
70 grams of onion
70 grams of leaks
300 grams of peas
Microgreens for garnish
3 deciliters of olive oil
200 milliliters of whole milk
Pre-heat the oven at 150 ºC.
Clean the codfish fillets, removing the bones. Divide into 12 portions. Smash the garlic, leaving the skin. Place the garlic, the codfish, the laurel leaf, and 2 dl of olive oil on a tray. Set aside.
Place 4 eggs in a pot with water. Heat the pot until the temperature reaches 63.5 ºC. Use a thermometer to control the temperature and keep it steady for 45 minutes. Once the time is up, place the eggs in an ice bowl to lower the temperature.
Cook the sweet potatoes with the skin on. Let them cool, peel them, and make a purée. Mix in a bowl the flour, the purée, and one egg. Blend until the mixture is homogeneous. Make small cylinders and cut them into gnocchi. Bring water and salt to a boil. Once it is boiling, add the gnocchi, cooking for 3 minutes. Remove them with a slotted spoon and drain the remaining water by placing the gnocchi on paper towels.
Slice the onions and leek. Put olive oil, the onion, and leek in a pot and let the vegetables sweat for 10 minutes in low heat. Add the peas, season with salt, cover with milk and cook for another 15 minutes. Blend the mixture with a hand blender and strain.
Place the codfish in the oven for 10 minutes. Heat a frying pan with a bit of olive oil. Once the oil is warm, add the gnocchi and let them cook—season with salt and pepper.
Heat up the eggs in tepid water for 10 minutes. Remove the eggshell.
Warm the pea emulsion and blend with a hand blender until it makes foam.
Serve on a deep plate, placing the gnocchi at the bottom, then the codfish and the egg. Finalize using the pea emulsion and some microgreens.
Dining at Loco is like attending a jazz concert–there’s a feeling of excitement in the air. The restaurant lighting is soft, but the tables are lit like a stage, ready for chef Alexandre Silva’s performance.
We sat down and studied the interesting wine list curated by Mário Marques, an old acquaintance from Ceia and Cura.
The performance started with a series of delicious food riffs presented on a wide variety of backgrounds: stones, coal, shells, and much more. The tempo was fast, like John Coltrane playing Giant Steps. We recognized culinary motifs inspired by the classics of Portuguese cuisine. For example, there were disks of crispy chicken skin that tasted like the traditional roasted chicken with piri-piri sauce.
Then, the rhythm slowed down to a ballad tempo, like Thelonious Monk playing ‘Round about Midnight. A basket of artisan bread came with rich butters and a bowl with sauce from the traditional clams Bulhão Pato. There was also delicately cooked, perfectly seasoned black pork, pumpkin dumplings, and pristine fish dressed with colorful sauces.
The desserts were playful, pomegranate granita and supple ice cream topped with hibiscus crystals. Finally, there were some encores–miniature sweets that please the eye and charm the palate. It is a thrill to dine at Loco!
Loco is located at Rua dos Navegantes nº53-B, Lisbon, tel. 21 395 1861. Click here for the restaurant’swebsite.
When João Rodrigues invited us for dinner in Lisbon, we wondered where he would take us. João knows how to orchestrate memorable dining experiences like the jubilant dinners at Ceia or the soul-nourishing rustic lunches at Casa no Tempo in Alentejo.
He drove us to the Estrela neighborhood and parked the car on a vertigo-inducing hill. Then, we crossed the street to Senhor Uva (mister grape). Stephanie Audet and Marc Davidson, a Canadian couple, opened this vegetarian restaurant three years ago. Stephanie is the head chef and Marc curates the wine list, focused on European natural wines.
The restaurant is small and cozy, with large windows that offer low-angle views of the cobblestone street. We sat at the counter that overlooks the tiny kitchen. João asked our congenial server whether she could choose the food for us and pair it with wine. Soon, we were holding stylish wine glasses made in Austria by renowned wine critic René Gabriel, filled with a delightful white wine called António. Casal Figueira makes this wine near Lisbon in the windy hills of the Montejunto mountain.
We were clinking our glasses when a plate arrived with black rice balls cooked with shitake mushrooms, leeks, eggplant, and a fermented Japanese fruit called umeboshi. The umami flavors of the rice made the wine feel richer and more intense.
The three cooks on duty that night joined efforts to make a stunning ceviche from green jackfruit. It arrived with another enviable white wine, Thyro, made in the Douro valley. Who could guess that a vegetable ceviche could rival a fish ceviche?
Next, we tried a delicious cauliflower cooked in a black beer sauce with black garlic and radishes. João noticed that all dishes have a perfect balance of fat, acidity, and crunchiness. Our next entrée vindicated this observation. It contained grapes marinated in rice vinegar, Jerusalem artichokes, beets, and new potatoes served with a delicious mole sauce. Vacariça, a lovely wine made in Bairrada from the local baga varietal, accentuated the chocolate flavors of the mole sauce.
The savory part of our meal ended with delicate shitake mushrooms cooked in the oven with corn “xerem,” miso, hazelnuts, and pecorino Romano cheese.
Then came the sweet part. First, a perfumed pineapple from the Azores cooked in three ways, accompanied by labneh, ginger, coconut, and yogurt sand. Second, a luscious roasted quince served with buckwheat, pear and hazelnut puree, and a Madeira wine reduction.
Just as we were leaving, a reggae version of the famous Blood, Sweat, and Tears tune “You make me so very happy” poured out of the sound system. It is an apt hymn for a restaurant taking vegetarian cooking to joyful heights.
Senhor Uva is located at Rua de Santo Amaro 66A in Lisbon, tel. 21-396-0917. Click here for the restaurant’s website.
It is so much fun to eat at Zun Zum! The restaurant, headed by chef Marlene Vieira, has a great location, with the Tagus river on one side and the Pantheon on the other. The food is as wonderful as the location.
We sat for lunch in the esplanade under a large red umbrella on one of those perfect sunny days that Lisbon residents take for granted. The simpatico waiter suggested a rosé made from bastardo at Quinta de Arcossó in Tràs os Montes. It has nice acidity and flavors of cherry and tropical fruit. “Do you want to choose from the menu or be surprised by the chef?” the waiter asked. Surprised, we chose without hesitation.
The “couvert,” a set of delightful little bites that start the meal included codfish tempura (“pataniscas de bacalhau”) and a sourdough brioche.
The first appetizer was a luscious ceviche made with unusual ingredients: popcorn, red onion, and passion fruit. It was followed by tasty mini pizzas topped with trout eggs, a spider crab called sapateira, and avocado. The pizzas were coated with a traditional spider-crab filling.
Then came “filhoses de berbigão.” They are a feast, the cockles large and juicy floating on a star-shaped bed made from fried dough filled with a cream of cockle broth, coriander, and lemon.
The fish entrée was a bowl of creamy, savory rice made with clams, cockles, razor clams, and mussels. The rice, a carolino variety from Bom Sucesso, has large grains that soak the appetizing sauce made by the seafood.
The meat entrée was a slice of delicious black pork accompanied by fried corn and pickles made from cauliflower and celery.
Our first dessert was a yogurt parfait on a bed of strawberry jam. The fatness of the yogurt and the sweetness of the jam are a perfect yin and yang. The second dessert was “toucinho do céu” (bacon from heaven) a pudding made with egg yolks and bacon. It is so tasty that it could, indeed, be served in heaven.
We left Zun Zum deeply satisfied and certain that if Robinson Crusoe could eat Marlene Vieira’s food on his desert island, he would never want to leave.
Zun Zum is located ar Av. Infante D. Henrique, Doca Jardim do Tabaco in Lisbon, email firstname.lastname@example.org, tel. 915 507 870. Click here for the restaurant’s website.
We first met Pedro Pena Bastos as the chef at Herdade do Esporão when he was only 25 years old. Sitting at a table overlooking the vineyards of this iconic Alentejo estate, we were taken on an unforgettable culinary journey.
We met Pedro again at Ceia, the elegant restaurant in João Rodrigues’ Santa Clara 1728 hotel. We remember sommelier Mário Marques welcoming us in the courtyard outside the restaurant with glasses of natural sparkling wine from Quinta da Serradinha. Sitting at a long wooden table with a small group of fellow culinary travelers, we experienced once again the wonders of Pedro’s cooking.
As soon as we landed in Lisbon, we made reservations for Pedro’s new restaurant, Cura, at the Four Seasons Ritz hotel. We arrived a few minutes early and knocked on the imposing glass and metal door that separates the restaurant from the hotel. The genial Mário Marques came to greet us and showed us around.
It is difficult to create a new space in the Four Seasons Ritz. Inaugurated in 1959, the building’s modernist geometry serves as the canvas for a stunning art collection that includes works by the great painter Almada Negreiros and many of his contemporaries. Cura’s dining room, decorated by architect Miguel Câncio Martins, integrates well the old and the new. A large metal sculpture hanging from the ceiling harmonizes with the wood panels designed by Fred Kradolfer, a brilliant Swiss graphic design artist who lived in Lisbon. The colorful chairs reference the playful use of color popular in the 1950s.
While we were chatting with Mário about wine, a plate arrived with long strips made from chickpeas and pumpkin sauce seasoned with marjoram oil. This simple start bears the hallmark of Pedro’s cooking: the constant search for new harmonies and textures that enchant the palate.
After much pondering, Mário opened a bottle of white Tourónio from Quinta de Tourais in the Douro valley. It is a bright white wine that kept pace with the festival of culinary sensations that followed.
Black pastries filed with veal from the Minho region made a striking appearance on our stone table top. They were pitch black on the outside and succulent on the inside.
A translucent tagliatelle dressed with a hazelnuts and bergamot sauce came topped with a dollop of caviar. We recognized this classic trompe l’oeil preparation from Pedro’s repertoire– the “tagliatelle” is made from thin strips of fresh squid.
Slices of breads made from ancient grains were served with butter from the Azores’ Flores island and the magnificent spicy olive oil produced by Pedro’s family. There was also a delicious brioche and some breadsticks made with cheese from the Azores.
Then, a fillet of red snapper came floating on a sauce made from the liver of the fish and perfumed with parsley and saffron. Next, a succulent piece of black pork from Alentejo was accompanied with a beet purée, orange, and foie gras. The dessert featured an original, delightful combination of Jerusalem artichokes, cocoa and arabica coffee.
We were enjoying one more glass of wine when three little “mignardises” arrived. Mário recommended that we try them in the order, from left to right. The first was made from Belgium biscuit, artichoke and black garlic. The second, made with egg and honey, was an homage to the recipes that came from Portuguese convents. The third, a sphere made from raspberry and lavender, was crispy on the outside and liquid on the inside. It was a final sleight of hand in a dinner full of culinary magic.
Cura is located at Rua Rodrigo da Fonseca 88 in Lisboa. Click here for the restaurant’s website.
As soon as we exited the elevator, on the 5th floor of Hotel Bairro Alto, we walked to the terrace, attracted by the generous view of the Tagus river. Our waiter suggested that we stay outside and enjoy a few appetizers before going into the living room. And so we sat down and watched the Lisbon skies change into their evening colors.
The restaurant, called BAHR, offers a menu designed by Nuno Mendes, a Portuguese chef who has earned many accolades in London. It is hard to choose–everything sounds great–so it took us some time to place our order.
After a few minutes wait, a savory aroma heralded the arrival of a plate with rissois de berbigão, fried turnovers with a cockle filling and a hint of curry. We noticed that they were breaded with Japanese panko instead of with traditional bread crumbs. But we were still surprised by the first bite. It was perfect: the crispness of the exterior contrasted with the moist flavorful interior creating an harmonious combination of texture, taste and temperature.
A plate of percebes (goose barnacles) served on toast arrived next. The percebes looked normal but their smokey taste accentuated by a buttery sauce was exceptional. They were followed by roasted carrots dressed with a mouthwatering citrus sauce.
The temperature was dropping, so we retired to the living room. Our plates were served with a vegetarian version of a Lisbon classic: codfish Brás style. The codfish was replaced by a roasted cauliflower accompanied by a sauce made from broccoli cooked in a salt mass, spinach and parsley. Seldom has a cauliflower shined so brightly. On the table, there were sides of potato chips cut razor thin with a Japanese mandoline.
Next, we tried codfish confit with açorda (a bread-based preparation) from Alentejo. The codfish was superb. When we asked what made it so special sous-chef Nuno Dinis came to the table to explain that we were enjoying skrei, a codfish from Norway that is only available between January and April. It arrives fresh at the restaurant where it is cured with sugar and salt to accentuate the taste of the sea. The codfish was dressed with a savory yellow sauce made with a fricassé of sames (the stomach of the codfish) and a broth made from bones and gelatin.
The meat entrée was black pork with two sauces, one made from clams the other from spinach, parsley and coriander. It is a happy marriage of the flavors of two Portuguese classics: clams Bulhão pato and pork with clams.
The meal ended with queijadas that tasted of lemon and salt. We can’t wait to return to BAHR to enjoy this food that so perfectly combines simplicity, tradition, and refinement.
BAHR is at Hotel Bairro Alto, Praça Luís de Camões nº 2, in Lisbon. Click here for the restaurant’s website.
If the cobblestones of Bairro Alto were not so slippery, we would tell you to run to Essencial, a new restaurant in Bairro Alto. Walk instead as fast as you can because this dinning room that seats only 25 guest will soon be impossible to get into.
The restaurant is headed by André Cordeiro, a chef with impeccable knowledge of French technique. He studied for five years with Alain Ducasse in Paris and then worked with three chefs who earned the coveted title of Meilleurs Ouvriers de France (best craftsmen in France). André came back to Lisbon to combine fine-dining ingredients such as truffles and foie gras with the amazing fresh produce available in Portugal. The results are stunning–elegant food that is a joyful symphony of tastes, textures and aromas.
While we were chatting with chef André, a plate of bread arrived. It came with a blend of butter from Pico in Azores, lard and rosemary. It was the one of several unexpected combinations that delighted our palates throughout the meal.
The first appetizer was a crowd pleaser: delicate slices of marinated salmon with radishes, crème fraiche and tarragon oil, served with the luscious crêpes vonnassiennes made famous by chef George Blanc. The second appetizer was a sea urchin shell filled with beef tartare, sea urchin and nori seaweed. These dissonant ingredients created a pleasing harmony that made our taste buds sing.
It is customary to serve the fish entrée before the meat but here the latter came first. It was a paté en croute made with duck, pork and foie gras served with smoked carrot purée and beets. How could the fish compete with these gratifying earthy flavors? The answer came in the form of a plate of sole. The freshness of the fish was a canvas that made the truffle stuffing and the Champagne sauce stand out.
The last entrée was a lush journey to the flavors of the woods: hare with foie gras, trumpet mushrooms and Jerusalem artichokes in a reduction of red wine, port wine and chocolate.
A vanilla mille feuilles with salted caramel produced a happy ending to a blissful meal. But our culinary experience was not over. There were still fireworks provided by a buttery French toast with vanilla mouse and a rich choux with praline.
Essencial’s minimalist space, impeccable service and interesting French and Portuguese boutique wines perfectly complement the food. We do not need the Michelin guide to tell us that the culinary stars shine brightly on Essencial’s dinner table.
Essencial is located at Rua da Rosa, 176, tel. 211573713, email email@example.com. Click here for the restaurants website.
One of the most popular desserts in Portugal is a golden sponge cake called Pão de Ló. Pão means bread and, according to culinary lore, Ló is the nickname of a cook famous for her version of this cake.
In the 16th century, the cake was known as Castile bread, after the name of the Spanish kingdom where the recipe originated. Castile bread keeps for a long time, so sailors used to carry it to enjoy during long sea voyages.
When the Portuguese navigators reached the port of Nagasaki in Japan, they took with them the recipe for Castile bread. It quickly became popular under the Japanese name Kasutera. The recipe was included in the first book about Japanese sweets, published in 1718 under the title “Secret Writings on Famous Japanese Confectionery New and Old.”
Over time, the recipe evolved to adapt to Japanese tastes. Wouldn’t it be interesting to compare the Portuguese and Japanese versions of this ancient cake? Thanks to a small Lisbon store appropriately called Kasutera, we can make this comparison without traveling to Nagasaki.
Kasutera’s cakes are perfect rectangles that are beautifully wrapped. You can buy the original version as well as variants with chocolate, green tea and earl grey. They’re all delicious examples of a recipe that has traveled around the world, from Portugal to Japan and back.
Kasutera is located at Rua do Poço dos Negros, 51 in Lisbon, tel. 213-951-596, email firstname.lastname@example.org. Click here for Kasutera’s website.