Mouchão’s timeless wines

Turning from the asphalt road onto the rustic path that leads to Mouchão is like entering another century. The route is lined with secular eucalyptuses that perfume the air with their fragrance.  On the left, there are picturesque vineyards. At the road’s end, the winery comes into view. It is where, for more than 140 years, some of the most renowned wines in Alentejo have been produced. 

“The winemaking style remains faithful to tradition,” explains Hamilton Reis, Mouchão’s enologist. “We embrace a philosophy of minimal intervention and meticulous attention to every detail. However, we also harness modern viticultural and oenological knowledge to anticipate and solve problems.” 

What sets Mouchão apart is its unique location. The vineyards are planted on an old riverbed that creates a microclimate, lending freshness to the wines. The underground water sustains the vines during the scorching summers, so they don’t need to be irrigated. To access this subterranean water, the vines develop deep roots that absorb the polyphenols that contribute to the wines’ remarkable richness.

The grapes undergo gentle foot-treading to ensure a delicate extraction and avoid herbaceous notes. The wine ages in large barrels crafted from Brazilian macacaúba, mahogany, Portuguese oak, and chestnut. These old barrels no longer influence the wine’s taste but provide the right amount of micro-oxygenation.

Mouchão is famous as the birthplace of Alicante Bouschet in Portugal. This grape variety, created by French viticulturist Henri Bouschet, failed to thrive in France. At the end of the 19th century, two professors from Montpelier planted some Alicante Bouschet cuttings in Mouchão. Here, basking in the sunny Alentejo climate, the vines flourished, producing wines of intense color and flavor. Alicante Bouschet spread throughout the region and eventually found its way to the Douro Valley.

For six generations, Mouchão has belonged to the Reynolds, a Scottish family. Iain Reynolds Richardson, Mouchão’s current general manager, descends from Thomas Reynolds, who arrived in Portugal in 1824 to trade cork, wool, and other agricultural products. Thomas moved to Alentejo in 1932 and started producing cork in Mouchão. Making wine was a natural extension of his business. In 1890, John Reynolds his grandson, built a family home and some agricultural buildings on the estate. The iconic wine cellar was inaugurated in 1901.

For generations, the Alabaças, a traditional Alentejo family, worked on the estate tending to the vines and making the wines. It was hard manual labor–electricity only arrived in 1991.

In the aftermath of Portugal’s 1974 revolution, the estate was nationalized. The vineyards were abandoned, and the buildings and equipment fell into disrepair. João Alabaça worked tirelessly to minimize the destruction. But, despite his best efforts, by the time the estate was returned to the Reynolds family in 1986, the precious barrels had suffered serious damage. It took a dedicated team of coopers two years to painstakingly restore them. In the meantime, the best grapes were aged in the two barrels that had survived unscathed, labeled 3 and 4. The wine from these barrels, known simply as “Tonel No. 3-4,” achieved mythical status. However, as Hamilton explains, “The real magic lies not in the barrels, but in the quality of the grapes.”

The estates’ flagship wine, simply called Mouchão, was first bottled in 1949. It marries the robust Alicante Bouschet with various varietals, most notably Trincadeira. This wine is a true marvel, with a freshness and elegance unusual in Alentejo. It is a fitting homage to the unwavering dedication of generations of Reynolds and Alabaças.

Dining by candlelight at Quinta Dona Maria

We arrived late in the afternoon and waited outside the imposing marble gate. Before we could say ‘abracadabra’ or some other incantation, the gate opened, welcoming us to Quinta Dona Maria, a magnificent wine estate in Alentejo. 

Isabel Bastos came to greet us. We walked with her to the palace’s chapel and sat down to hear her recount the story of Quinta Dona Maria. The estate was a gift from King John V to Dona Maria, a lady of the court with whom the king fell in love. Dona Maria left no descendants, so the property was sold in a public auction upon her death. The Reynolds, a family of merchants from southern England, purchased it. They renamed the estate Quinta do Carmo in honor of an image of the Lady of Carmo they bought for the chapel in 1752. The estate currently belongs to Júlio Bastos, Isabel’s husband, who descends from the Reynolds family. 

Júlio’s grandfather started producing fine wines on the estate. The project was so successful that in a blind tasting with the Rothschilds held in the late 1980s, the wines from Quinta do Carmo tied with Lafitte Rothschild. Impressed by this feat, the Rothschilds proposed Júlio Bastos a partnership. But the two winemakers had different objectives and approaches. Júlio is passionate about the old vines planted with the traditional varietals of Alentejo, most of all Alicante Bouschet, a varietal brought by the Reynolds from France to Alentejo. The Rothschilds wanted to replant the vineyards with French varietals that could appeal to the international market. Eventually, the two parties separated. In this process, the Rothschilds kept the brand Quinta do Carmo, so Júlio renamed his wines and estate Quinta Dona Maria. 

We walked to the wine cellar to see the 18th-century marble tanks where the grapes are still crushed by foot treading. The tanks were brimming with grapes that were starting the fermentation process that transmutes earthly grape juice into heavenly wine. Isabel served us an enticing rosé with pleasing fruit notes and refreshing acidity. Next, we tried a delightful white Viognier that shows how much this French grape shines in the soils of Alentejo. The tasting ended with pomp and circumstance provided by two sumptuous Dona Maria red reserves from 2005 and 2008.

It was time to go to the palace. The large door creaked as it slowly opened to show us rooms lit by candlelight that made us feel like we were back in the 18th century. Júlio joined us for dinner. His love for the land, food, and wine of Alentejo were evident throughout the meal. 

The dinner, prepared by Filipe Ramalho from Páteo Real and Beatriz Tobinha, the palace’s resident chef, was a memorable feast. It started with Filipe’s famous tart made from chestnut-flower sausage, pears cooked in wine, quince marmalade, and chard. Then there was a slew of appetizers: tomato and watermelon salad, roasted peppers with bacon, slices of the brilliant sausages made at Salsicharia Canense, plates with savory Alentejo cheeses, and chickpeas with pickled codfish salad. A rich white Dona Maria reserve delicately aged in oak was an enthralling gastronomical companion.

Next came the main dishes: cação (a fish popular in Alentejo) in coriander sauce, pheasant in escabeche sauce and marinated carrots, and duck croquettes with black garlic mayonnaise. A splendid Dona Maria red reserve from 2017 made from old vines complemented the food with its festive taste of berries and hints of spices. 

The dessert was an almond and pumpkin tart paired with the famed Júlio B. Bastos Alicante Bouschet, named after Júlio’s father. The wine’s acidity, tannins, and fruit sing to the palate in perfect harmony.

Glancing at the watch, we saw the two hands pointing to midnight. We knew from fairy tales that it was time to leave. We thanked Isabel and Júlio for their warm hospitality and drove back to our hotel. We slept peacefully but woke up wondering: was the dinner at Quinta Dona Maria a dream? 

Click here for the website of Quinta Dona Maria.