A sublime pumpkin tart

Edgardo Pacheco is a Portuguese journalist who writes with eloquence and grace about gastronomy. He knows so many people in the food world that he managed to surprise us on our home turf. He arrived at our house with an irresistible sweet tart. When we asked him about the provenance of this delight, he revealed it came from the town nearby!

The tart was created in 2018 for the local pumpkin festival by a young chef called Sílvia Batista. It has a flour, butter, and sugar base, a pumpkin-pulp filling, and a topping made with pumpkin seeds, sugar, and butter. The combination is sublime.

Silvia makes the tart with her mother, Diná, and sells it in Lourinhã, where it is quickly gathering fame. The chef didn’t name the tart after herself. She called it “Dona Isabel” in honor of Isabel Mateus, who, with her husband, discovered a nest of dinosaur eggs in a local beach. 

Creating a brand-new recipe requires skill. But the naming of the tart reveals another important ingredient: generosity. Sílvia has both talent and generosity in abundance. We can’t wait to taste what else she’ll make!

Click here for Sílvia Batista’s web site. You can buy or order her tart at O Casco, Rua Dr. Francisco de Sá Carneiro, Lt 22 R/Ch Dto. Lourinhã, tel. 910 121 280.

Becoming famous

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The Portuguese love codfish so much that the easiest way to become famous in Portugal is to create a popular codfish recipe.  Writers might see their books go out of print, painters might see their works gather dust. But no one forgets Brás, Zé do Pipo, and Gomes de Sá because their recipes are part of our daily life.

In a recent visit to Tasca da Esquina, chef Victor Sobral prepared us a surprise menu. One of the items was a very refined version of codfish Brás style, the best we have ever tried. Imagine how Brás would feel, seeing his century-old recipe come alive in the hands of a great contemporary chef!

We wish we could write a longer post but we have to go, we bought some codfish to try a few ideas.

The poet’s choice

Camões

Artists often quip that they have to die before they can make a living. The great 16th century poet Luis de Camões died poor. Here’s how the influential Encyclopedia of Diderot & d’Alembert, published in Paris in 1765, describes his life:

“The famous Camões has done eternal honor to his homeland with his epic poem the Lusíadas. His life and misfortune are well known. Born in Lisbon in 1524 or thereabouts, he took up arms and lost an eye in combat against the Moors. He traveled to the Indies in 1553, offended the Viceroy, and was exiled. He left Goa and took refuge in a deserted corner of the world on the Chinese border. It was there that he composed his poem; the subject is the discovery of a new land of which he himself had been a witness. […]

It is said that he nearly lost this fruit of his genius while traveling to Macau. His ship went down during the crossing, but Camões, imitating Caesar, had the presence of mind to preserve his manuscript by holding it in one hand above the water while he swam with the other. Upon return to Lisbon in 1569, he spent ten unhappy years and finished his life in a hospital in 1579. Such was the fate of the Portuguese Virgil.”

Camões knew from classical Greek literature that there are two choices: to live an ordinary life and be forgotten, or struggle for greatness and have a chance of immortality. The mythical Achilles sacrificed his life at Troy, but his fame lives forever.

Camões gave his life to the Portuguese language. Every year, on June 10, we celebrate his immortality.

Fernando Pessoa

Fernando Pessoa, Rui Barreiros Duarte, ink on paper, 2012.

It is not easy to write about the great poet Fernando Pessoa. Even if we weight every syllable, our words are still too heavy to describe his graceful prose and sublime rhyme. So, perhaps we should stick to the facts.

Pessoa was born in Lisbon in 1888. His father, a journalist, died when he was young. His mother remarried and moved to Durban, South Africa, where Pessoa received a British education.

After returning to Lisbon in 1905, Pessoa earned a modest living making translations and writing business letters. He published poems, essays and literary criticism, but remained unknown during his lifetime.

Many of his poems were written in coffee shops, at Brasileira in Chiado or in Terreiro do Passo’s Martinho da Arcada. He wrote under different identities, each with its own personality and distinctive style. Some say that Pessoa and his four major pen names, Álvaro de Campos, Ricardo Reis, Alberto Caeiro, and Bernardo Soares are the five finest Portuguese poets.

Pessoa died in 1935, at age 47, one year after publishing his first major book, The Message. He left a literary treasure trove: a trunk full of poetry and prose, including The Book of Disquiet, which, published in 1982, created a new wave of interest in the poet.

Reading Pessoa can change your life, at least that’s what happened to the Italian writer Antonio Tabucchi. A chance encounter with Pessoa’s poem “A Tabacaria” (The Tobacco Shop) made him fall in love with the poet’s work and with the language and culture of Portugal.

Here are the first lines of “A Tabacaria” translated by Richard Zenith. Read them at your own peril.

“I’m nothing.
I’ll always be nothing.
I can’t want to be something.
But I have in me all the dreams of the world.”