The great fado singer Amalia Rodrigues built a beautiful house on a cliff with an expansive view of the ocean. The adjacent beach is called Amalia in her honor.
To visit this magical place, you need to drive to Brejão, a village on the southern tip of the Alentejo coast. Stop in one of the coffee shops and ask for directions to the beach (you have to follow a hidden path alongside a small brook).
This secluded beach is a perfect setting for declarations of love. The spirit of the place will inspire you. But if words fail you, you can always say: this beach was named after Amalia, a singer who sang about the joy of love and the pain of loss. I brought you here because I love you and I never want to lose you.
Few people know that you can rent Amalia’s house by emailing the Foundation Amalia Rodrigues (firstname.lastname@example.org). But now you do!
Fado is a mystery, said the great singer Amália Rodrigues. This musical style emerged in Lisbon’s old neighborhoods in the 19th century. Its unique character comes from the Portuguese guitar, a twelve-string instrument with a haunting, melancholic sound. No one knows who invented it.
Female singers dress in black, as if they are in mourning. When their voices soar, they express ancient sorrows that don’t fit in the 12-tone scale of western music. So, they reach for the microtones of old Arab prayers. How do they remember these sounds?
Fado is Amália Rodrigues, a singer who could express the inexpressible. When she died, in the last year of the 20th century, fado seemed to die with her. But singers like Carminho and Mariza picked up where Amalia left of, singing with voices that have one thousand trills. Where did they learn them?
You can hear Amalia Rodrigues here. Click here and here for Carminho’s and Mariza’s web sites.