The resplendent tranquility of the Mafra library

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Standing at the entrance of the library of the Mafra palace, it is easy to believe that the world is orderly. In the pristine silence of this space designed by architect Manuel Caetano de Sousa, we have everything we need to understand the world of the 18th century. There are science and mathematics books in the shelves near the entrance, so we can learn the laws of the physical world. Further ahead, there are bookshelves with travel diaries that tell us about lands near and far. Dictionaries and grammars teach us the rhythms and intonations of foreign languages. If we use them to master Greek and Latin, we can enjoy the classics of antiquity, tales of love and war, stories about gods and humans. Walking the 88 meters of marble floors that take us to the end of the library, we reach the shelfs devoted to the mysteries of the soul.

The palace of Mafra and its library were built with the riches from Brazil. But the money ran out and the gold decorations that had been planned for the library were never executed. It is just as well, because the white Nordic-pine shelves give this library an elegant simplicity that looks modern.

It was here that José Saramago, a Nobel laureate, found inspiration for his famous novel about the construction of the Mafra Palace as seen through the eyes of two young lovers, Baltasar and Blimunda.

If you’re traveling in Portugal, don’t miss the chance to experience the resplendent tranquility of the Mafra library. And don’t forget to take a notebook, in case the muses that inspired Saramago whisper in your ear.

Silk drawings

Scarves FL

When Fernanda Lamelas travels, she tends to disappear. We’ll find her in a quiet corner seeing beauty that often goes unnoticed. Trained as an architect, Lamelas became an avid watercolorist who carries her paints everywhere. Her brushes dance on white paper, making the paints flow with precision and grace. It looks easy, but it takes a lifetime of observation to choose which lines to draw, which contours to omit.

Fernanda accumulated a large collection of sketchbooks filled with drawings from her travels. But they lied in a quiet corner gathering dust. Seeking to infuse life into these sketchbooks, Fernanda used the drawing of an architectural motif from the Carmo Convent in Lisbon to make a silk scarf. The scarf received so much praise that Fernanda felt encouraged to produce more designs. And so details from Rossio in Lisbon, the Serralves Foundation in Oporto, the Pena Palace in Sintra and from many other places came alive on canvases made of silk.

If you’re looking for a memento of a blissful vacation in Portugal, it’s hard to find anything more elegant than a Lamelas scarf.

Click here for the website of Fernanda Lamelas Arts.

Modern luxury at the Four Seasons Hotel Ritz in Lisbon

Ritz

António Salazar, the man who ruled Portugal from 1932 to 1968, detested extravagance so he resisted the idea of building a Ritz hotel in Lisbon. But a group of entrepreneurs convinced him to support the project. Salazar visited the hotel before the inauguration and disliked what he saw. He exited through the back door and never came back. Despite Salazar’s disapproval, the Lisbon Ritz was a huge success.

The entrepreneurs tapped Porfirio Pardal Monteiro to be the architect. It was an inspired choice. Monteiro used the Parthenon and the Erechtheum to guide his search for the ideal location. But he avoided the temptation to build a hotel that imitates the past. Instead, he drew inspiration from Le Corbusier to design a modern building with beautiful proportions.

Monteiro was friends with the great painter Almada Negreiros. He engaged Almada and other artists to produce works of art for the new hotel. The result is a stunning art collection that creates unique interior spaces. Almada designed exuberant tapestries with centaurs and etched agricultural motifs into black granite using gold leaf. His wife Sarah Afonso produced a joyous allegory of the seasons. Querubim Lapa, Martins Correia, Carlos Botelho and many others contributed to the collection of roughly 600 works of art.

The hotel has 4 elevators for the guests and 12 elevators for the staff. When it opened in 1959, it had 330 rooms and 400 employees. Even though the ratio is no longer the same, the service is still flawless. Run by the Four Reasons group, the hotel has been regularly renovated to continue to offer outstanding comfort. The elegant breakfast room is the perfect place to start your morning in Lisbon. The rooftop was converted into a modern gym with a running track that offers expansive views of the city.

The Four Seasons Hotel Ritz is one of Europe’s grand hotels, a unique combination of architecture, art, comfort, and hospitality that creates an unforgettable experience.

The Four Seasons Hotel Ritz in Lisbon is located at Rua Rodrigo da Fonseca, 88, tel. (21) 381-1400. Click here for the hotel website. 

 

 

A convent carved in rock

Composit Capuchos

The most poignant monument in Sintra is not a palace or a castle. It is the Convent of the Capuchos, also known as the Convent of the Holly Cross. Founded in 1560, it is a place where monks lived a life of frugality and contemplation.

Long before architects designed buildings in harmony with their surroundings, this convent was built to blend into the landscape of the Sintra mountain. Made primarily out of rock, its interior is lined with cork to offer some protection against the cold and dampness of Winter.

In 1581, when Portugal was under Spanish domination, king Philip of Spain and Portugal visited the Sintra convent and declared: “In all my kingdoms there are two places that I highly prize, the Monastery of Escorial for being so rich and the Convent of the Holly Cross for being so poor.”

We wonder how the monks experienced the passage of time. Did time pass slowly in tiny droplets of interminable minutes? Did their minds transcend the discomfort of the body to find richness in the life of the spirit?

Worshiping the sun in Belém

MAAT Composit

If you’re visiting Lisbon, we recommend spending an afternoon in the Belém neighborhood. We like to start by sitting at one of the tables of the old Confeitaria de Belém to enjoy an espresso with a warm pastel de Belém. We eat the pastry slowly, taking small bites while the aroma of cinnamon and vanilla surround us and the taste of cream, eggs and sugar melts in our mouth.

We are then ready to stroll by the river to the Belém tower. Before the 1755 earthquake, the tower was close to the middle of the river. It was equipped with cannons meant to protect the city from pirates. But instead of scaring marauders, the beautiful tower made Lisbon more alluring and desirable.

Our next stop is the Monument to the Discoveries. It marks the point of departure of the caravels that sailed into the unknown seas to discover new lands.  From there, we cross the garden surrounded by olive trees to visit the Jerónimos Monastery. It is a majestic monument that celebrates the age of discovery in a gothic style that makes exuberant use of maritime motifs.

After spending much of the afternoon visiting the past, it’s time to look at the future. We like to arrive 45 minutes before sunset to the next destination: the new Museum of Art, Architecture and Technology, known as MAAT. Designed by British architect Amanda Levet, the sensuous building looks like a ship that could sail into space. Its roof has become a favorite destination for sun worshipers. Standing there, we see the Tagus river change into orange vests to praise the star that divides night and day while the white museum glows in the golden light. Five centuries after the construction of the Belém tower the MAAT makes Lisbon feel young and desirable again.

The MAAT is located at Av. Brasília, Central Tejo in Belém, Lisbon. Click here for the MAAT’s website. 

 

 

Santa Maria do Bouro in the light of eternity

Composit Amares, exposição

The granite walls of the Santa Maria do Bouro Pousada belong to a Cistercian monastery built in 1162 by the first king of Portugal. They aged perfumed by incense and lulled by religious chants.

The monks enjoyed their meals sitting around an imposing stone table. The kitchen had two fountains that supplied water, several wood-fire stoves and a fireplace used for roasting. A large chimney released the appetizing food aromas to the skies above. Perhaps the monks wanted to advertise their talents, in case there were opportunities for good cooks in heaven.

This golden age gave way to an era of slow decline. Eventually, the monks moved out. Wild animals and vegetation moved in.

Just when the old monastery had gotten used to oblivion, a small group came for a visit. They wanted to turn the ruins into an historical hotel.  Among them was a quiet man who stared in silence at the granite walls. He is an architect called Eduardo Souto de Moura who would one day win the Pritzker prize.

In his reconstruction plan, Souto Moura left the walls exposed to showcase their beauty. He avoided imitating the old, so he complemented the granite with new materials. The ivy that embraced windows and columns was allowed to stay and a green roof was built to welcome the vegetation back to the building.

Everything in this beautiful hotel breathes harmony and tranquility. The rooms have expansive views of the surrounding mountains.  And there are many spaces, indoors and outdoors where we can enjoy a glass of wine or a cup of tea.

The kitchen was transformed into an elegant dining room and the large chimney became a skylight. The ancient stone table is still there, covered with irresistible desserts that would make the old monks proud.

Today, the walls of Santa Maria do Bouro stand with the confidence they will be beautiful in the light of eternity. And we think they’re right.

Here’s a link to the pousadas’ website. You can find a large collection of photos of the pousadas at www.mariarebelophotography.com.

A room with a view to the Estrela mountain

Pousada da Serra da Estrela (75)

The Serra da Estrela Pousada stands 1,200 meters above sea level, at the door step of Portugal’s highest mountain. It was designed in the 1920s by architect Cottinelli Telmo for those who needed to recover from respiratory ailments. The pure air did wonders. And so did the view of the mountain adorned with a mantle of snow or dressed with the grey hues of the granite and the green colors of the pine trees.

In the second half of the 20th century, the edifice fell into disuse. It was rebuilt in 2014 under the guidance of Eduardo Souto Moura, a Portuguese architect who won the Pritzker prize.

Souto Moura found ways to incorporate modern comforts like air conditioning, saunas and swimming pools into the old building. But, at the same time, he endeavored to preserve Cottinelli Telmo’s unusual design. The building is long and narrow so that most of the rooms have a view.

Almost one century after its inauguration, the pousada is the perfect place to rest our eyes on a magnificent landscape that makes problems look small and life large with possibilities.

Here’s a link to the pousadas’ website. You can find a large collection of photos of the pousadas at www.mariarebelophotography.com.