During a delightful lunch at Gadanha in Estremoz, we praised the marble serving pieces used at the restaurant. Chef Michele Marques offered to introduce us to Filipa André, the person who makes them.
Filipa owns a gallery in Largo Dom Dinis, right by the royal palace of Estremoz. She told us how in school she longed to get into the marble sculpting classes that were open only to boys. Many years later, Filipa fulfilled her dream of learning how to work with the pearly marble of Estremoz.
Her pieces have an understated elegance that makes the food served on them shine. Every time her plates and bowls grace our dinner table people ask us: where did you get them? Now you know.
Filipa André’s gallery, Elapedra is located at Largo D. Dinis n. 13 in Estremoz, email firstname.lastname@example.org, tel.963273440.
The bar of the Viana do Castelo Pousada has a beautiful tapestry designed by the great artist Almada Negreiros and produced by the Portalegre Tapestry Manufacture in 1957.
The tapestry depicts the arrival of roman armies, commanded by Decius Junos Brutus, to the left bank of the Lima river in 135 BC. The beauty of the place convinced the romans that they had found Lethes, the mythical river of forgetfulness that erased all the memories of those who crossed it.
The army stood still, no soldier dared to cross the river. Holding the roman banner in his hand, Brutus crossed the river. Once he reached the right margin, he called each soldier by his name to prove that his memory was intact. Reassured, the rest of the army crossed the river.
When Fernanda Lamelas travels, she tends to disappear. We’ll find her in a quiet corner seeing beauty that often goes unnoticed. Trained as an architect, Lamelas became an avid watercolorist who carries her paints everywhere. Her brushes dance on white paper, making the paints flow with precision and grace. It looks easy, but it takes a lifetime of observation to choose which lines to draw, which contours to omit.
Fernanda accumulated a large collection of sketchbooks filled with drawings from her travels. But they lied in a quiet corner gathering dust. Seeking to infuse life into these sketchbooks, Fernanda used the drawing of an architectural motif from the Carmo Convent in Lisbon to make a silk scarf. The scarf received so much praise that Fernanda felt encouraged to produce more designs. And so details from Rossio in Lisbon, the Serralves Foundation in Oporto, the Pena Palace in Sintra and from many other places came alive on canvases made of silk.
If you’re looking for a memento of a blissful vacation in Portugal, it’s hard to find anything more elegant than a Lamelas scarf.
Click here for the website of Fernanda Lamelas Arts.
António Salazar, the man who ruled Portugal from 1932 to 1968, detested extravagance so he resisted the idea of building a Ritz hotel in Lisbon. But a group of entrepreneurs convinced him to support the project. Salazar visited the hotel before the inauguration and disliked what he saw. He exited through the back door and never came back. Despite Salazar’s disapproval, the Lisbon Ritz was a huge success.
The entrepreneurs tapped Porfirio Pardal Monteiro to be the architect. It was an inspired choice. Monteiro used the Parthenon and the Erechtheum to guide his search for the ideal location. But he avoided the temptation to build a hotel that imitates the past. Instead, he drew inspiration from Le Corbusier to design a modern building with beautiful proportions.
Monteiro was friends with the great painter Almada Negreiros. He engaged Almada and other artists to produce works of art for the new hotel. The result is a stunning art collection that creates unique interior spaces. Almada designed exuberant tapestries with centaurs and etched agricultural motifs into black granite using gold leaf. His wife Sarah Afonso produced a joyous allegory of the seasons. Querubim Lapa, Martins Correia, Carlos Botelho and many others contributed to the collection of roughly 600 works of art.
The hotel has 4 elevators for the guests and 12 elevators for the staff. When it opened in 1959, it had 330 rooms and 400 employees. Even though the ratio is no longer the same, the service is still flawless. Run by the Four Reasons group, the hotel has been regularly renovated to continue to offer outstanding comfort. The elegant breakfast room is the perfect place to start your morning in Lisbon. The rooftop was converted into a modern gym with a running track that offers expansive views of the city.
The Four Seasons Hotel Ritz is one of Europe’s grand hotels, a unique combination of architecture, art, comfort, and hospitality that creates an unforgettable experience.
The Four Seasons Hotel Ritz in Lisbon is located at Rua Rodrigo da Fonseca, 88, tel. (21) 381-1400. Click here for the hotel website.
VIDA combines the best of the old–beautiful textiles produced in developing countries–and the best of the new–digital fabric printing technology. Founded by Umaimah Mendhro, the company allows artists to turn their art into fashion articles. The platform has allowed artists from all over the world to collaborate with textile workers in ways that were previously impossible. Some of the company’s proceeds fund literacy and education programs in the factories where the products are made.
When VIDA invited our photographer, Maria Rebelo, to design a collection, she used the beautiful tiles of Portugal as inspiration. The result is a set of scarfs produced in a soft botanic silk fabric called modal with the shapes and colors that grace the facades of old Portuguese buildings. Click here to see the collection.
If you’re visiting Lisbon, we recommend spending an afternoon in the Belém neighborhood. We like to start by sitting at one of the tables of the old Confeitaria de Belém to enjoy an espresso with a warm pastel de Belém. We eat the pastry slowly, taking small bites while the aroma of cinnamon and vanilla surround us and the taste of cream, eggs and sugar melts in our mouth.
We are then ready to stroll by the river to the Belém tower. Before the 1755 earthquake, the tower was close to the middle of the river. It was equipped with cannons meant to protect the city from pirates. But instead of scaring marauders, the beautiful tower made Lisbon more alluring and desirable.
Our next stop is the Monument to the Discoveries. It marks the point of departure of the caravels that sailed into the unknown seas to discover new lands. From there, we cross the garden surrounded by olive trees to visit the Jerónimos Monastery. It is a majestic monument that celebrates the age of discovery in a gothic style that makes exuberant use of maritime motifs.
After spending much of the afternoon visiting the past, it’s time to look at the future. We like to arrive 45 minutes before sunset to the next destination: the new Museum of Art, Architecture and Technology, known as MAAT. Designed by British architect Amanda Levet, the sensuous building looks like a ship that could sail into space. Its roof has become a favorite destination for sun worshipers. Standing there, we see the Tagus river change into orange vests to praise the star that divides night and day while the white museum glows in the golden light. Five centuries after the construction of the Belém tower the MAAT makes Lisbon feel young and desirable again.
The MAAT is located at Av. Brasília, Central Tejo in Belém, Lisbon. Click here for the MAAT’s website.
We often celebrate rulers and conquerers, but a country without artists is just a mount of dust. Artists are the tellers of tales, the architects of meaning. During the 20th century, Portugal was recreated by the writing of Fernando Pessoa and reshaped by the painting of José de Almada Negreiros. They left us a country with a richer identity and a deeper imagination.
The paintings in the photo bring together these two great Portuguese artists. The first painting (on the left) was commissioned in 1954 by the owner of a restaurant where Orpheus, a modernist group that included Almada and Pessoa, used to gather. The second painting (on the right), commissioned by the Calouste Gulbenkian Museum in 1964, is a mirror image of the original.
Pessoa visited Almada’s first exhibition and declared that the painter was not a genius. Out of respect, Almada did not paint Pessoa while the poet was alive. Because the exuberant portrait that the painter carried in his mind and later transferred to canvas shows that Almada was a genius.
If you’re in Lisbon, do not miss the exhibition of the works of Almada Negreiros on display at the Calouste Gulbenkian Museum until June 7, 2017.