Two geniuses

Fernando Pessoa

We often celebrate rulers and conquerers, but a country without artists is just a mount of dust. Artists are the tellers of tales, the architects of meaning. During the 20th century, Portugal was recreated by the writing of Fernando Pessoa and reshaped by the painting of José de Almada Negreiros. They left us a country with a richer identity and a deeper imagination.

The paintings in the photo bring together these two great Portuguese artists. The first painting (on the left) was commissioned in 1954 by the owner of a restaurant where Orpheus, a modernist group that included Almada and Pessoa, used to gather. The second painting (on the right), commissioned by the Calouste Gulbenkian Museum in 1964, is a mirror image of the original.

Pessoa visited Almada’s first exhibition and declared that the painter was not a genius. Out of respect, Almada did not paint Pessoa while the poet was alive. Because the exuberant portrait that the painter carried in his mind and later transferred to canvas shows that Almada was a genius.

If you’re in Lisbon, do not miss the exhibition of the works of Almada Negreiros on display at the Calouste Gulbenkian Museum until June 7, 2017.

 

 

The rain in Portugal

rainy-day

Billy Collins, a former U.S. poet laureate, has a new book called The Rain in Portugal. He says that the title is an admission of his difficulties in constructing rhymes.

The rhyming possibilities of “Portugal” are much more limited than those of “Spain.” Yet, Collins finds a way capture the poetry of life in Portugal. Here’s an excerpt of the poem that contains the title of the book.

On Rhyme

“[…] instead of recalling today where it pours mostly in Spain I’m going to picture the rain in Portugal.

How it falls on the hillside vineyards, on the surface of the deep harbors where fishing boats are swaying.

And in the narrow alleys of the cities where three boys in t-shirts are kicking a soccer ball in the rain ignoring the window cries of their mothers.”

 

 

Ephemeral gardens in Viseu

OLYMPUS DIGITAL CAMERA

Every year, the Ephemeral Gardens festival jolts Viseu, a serene city in the interior of Portugal. Sandra Oliveira organizes this grand event, inspiring a large troupe of collaborators to adorn Viseu with modern art and serenade it with contemporary music.

Shops become installation spaces, ancient churches double as music venues, old walls serve as canvases for street art. Every plaza seems to have its own DJ, every garden its own sculpture show.

Stores, bookshops, restaurants, and bars stay open until late. The flowers of the linden trees blend their fragrance with the aromas of chocolate, vanilla and popcorn. There are workshops to attend, movies to watch, performances not to miss. It is a wonderful celebration of the many ways in which the old inspires the new.

The Ephemeral Gardens (Jardins Efémeros) festival runs from July 1 to 10, 2016. All events are free. Click here to see the program. 

Artistic pots and pans

 

JV_114_HDR-Edit

Silampos (“seelumpoos”) is a Portuguese brand of cookware that has produced great pots and pans since 1951. Joana Vasconcelos, a Portuguese contemporary artist, used these pans to build giant high-heel shoes. These sculptures were given pride of place in the Room of the Throne when Vasconcelos showed her work at the Ajuda Palace in Lisbon.

What would D. Maria Pia, the queen who lived in this palace, think about Vasconcelos’ work? We like it. And we always liked Silampos pots and pans, even before they mingled with artists in the royal court.

Beauty in the details

Desenhos de Janelas
Varandas, Rui Barreiros Duarte, ink on paper, 2016.

When you visit Portugal you need to sleep well to rest your eyes, because as soon as you wake up there’s so much to see!

A walk in an old neighborhood is a visual feast of architectural details. Doors, windows, roofs, and balconies tell us about the craftsmanship of their builders and the dreams of their owners. Each is a distinctive brush stroke on the beautiful canvas that is Portugal.

The first sunset

The Romans marked each new year by hammering a nail into the door post of the temple of Jupiter. We prefer to photograph the sunset on the first day of the year, hoping it holds a clue for what the year will bring.

Today, the sun slept all day behind clouds. But at the last moment, it spread its rays and lit the sky, as if to reassure us that there will be many beautiful sunsets in the New Year.  We hope you’ll come to Portugal to share some of these sunsets with us. Happy New Year!