A fish club

composit-casa-janeiro

Casa Janeiro is an unusual restaurant. Located in the small village of Brejos de Azeitão, 30 km south of Lisbon, it functions as a club for the appreciation of fine grilled fish. To be considered as a member, you need to be patient and love eating fish. Patience is a must because the restaurant does not take reservations and there’s always a long line

Most customers are regulars. Some are locals, others are hard-core fans that drive to Brejos de Azeitão just to eat at Casa Janeiro. Over the years, the customers get to know each other, so the restaurant feels like a club.

While we waited in line, a group of regulars came to chat with us, eager to talk about their favorite restaurant: “You’re going to love it!” “We no longer grill fish at home, this quality is impossible to replicate,” “No one grills fish like Mr. António.”  “And the prices, unbeatable!”

Ana Cristina overseas the dining room and her husband, António Janeiro is in charge of the colossal grill.  António was working as a car mechanic when he became fascinated by the art of grilling fish. He started hanging out with fishermen and cooks so he could learn their secrets. When his repair shop closed, he took the plunge and, together with his wife, opened Casa Janeiro.

His day starts with a trip to the fish market in the port of Setúbal. He comes back to the restaurant to make the “brasas,” the layers of red-hot charcoal that produce intense heat. He compresses these layers, reducing the airflow to make the charcoal last longer. Then, he covers the charcoal with ash to reduce the heat. “I stir the charcoal when I want more heat and apply more ash when I want less,” he explained to us.

We watched Janeiro prepare the fish with speed and precision and then pause for a brief moment, perhaps to give thanks for the bounty of the sea. Janeiro salted the fish and placed it on the grill. He didn’t take his eyes of the grill, constantly adjusting the coals to make sure the fish was perfectly cooked.

“Which fish do you recommend?”  we asked Ana Cristina. “Chicharro,” she answered without hesitation. We expressed surprise. After all, this is an unglamorous fish, the cheapest on the modestly priced menu. “But it is the best fish on the menu,” she insisted. “This month the chicharro is fat and delicious. If you don’t like it, you don’t need to pay.”  “Ok,” we said accepting the bargain.

As soon as we sat at the table, we regretted our decision—we saw amazing sea bass and grouper go by our table. But, when our chicharro arrived, succulent and delicious, we realized we had made the right choice. “What else should we try?” we asked Ana Cristina. She recommended the squid, which was the best we have ever had, tender and full of flavor.

When we returned the next day for more grilled chicharro and squid, Ana Cristina gave us a big smile. And that’s when we knew that we had been accepted as members of the club.

 

Casa Janeiro is located on Rua da Serração 57, Brejos de Azeitão, tel. 21 218 8124. If you don’t like to wait, you need to arrive at around 11:30 am for lunch and 6:30 pm for dinner. At lunch, the restaurant serves grilled fish. At dinner, it serves light seafood such as clams, crab and shrimp. 

 

Two geniuses

Fernando Pessoa

We often celebrate rulers and conquerers, but a country without artists is just a mount of dust. Artists are the tellers of tales, the architects of meaning. During the 20th century, Portugal was recreated by the writing of Fernando Pessoa and reshaped by the painting of José de Almada Negreiros. They left us a country with a richer identity and a deeper imagination.

The paintings in the photo bring together these two great Portuguese artists. The first painting (on the left) was commissioned in 1954 by the owner of a restaurant where Orpheus, a modernist group that included Almada and Pessoa, used to gather. The second painting (on the right), commissioned by the Calouste Gulbenkian Museum in 1964, is a mirror image of the original.

Pessoa visited Almada’s first exhibition and declared that the painter was not a genius. Out of respect, Almada did not paint Pessoa while the poet was alive. Because the exuberant portrait that the painter carried in his mind and later transferred to canvas shows that Almada was a genius.

If you’re in Lisbon, do not miss the exhibition of the works of Almada Negreiros on display at the Calouste Gulbenkian Museum until June 7, 2017.

 

 

The rain in Portugal

rainy-day

Billy Collins, a former U.S. poet laureate, has a new book called The Rain in Portugal. He says that the title is an admission of his difficulties in constructing rhymes.

The rhyming possibilities of “Portugal” are much more limited than those of “Spain.” Yet, Collins finds a way capture the poetry of life in Portugal. Here’s an excerpt of the poem that contains the title of the book.

On Rhyme

“[…] instead of recalling today where it pours mostly in Spain I’m going to picture the rain in Portugal.

How it falls on the hillside vineyards, on the surface of the deep harbors where fishing boats are swaying.

And in the narrow alleys of the cities where three boys in t-shirts are kicking a soccer ball in the rain ignoring the window cries of their mothers.”

 

 

Ephemeral gardens in Viseu

OLYMPUS DIGITAL CAMERA

Every year, the Ephemeral Gardens festival jolts Viseu, a serene city in the interior of Portugal. Sandra Oliveira organizes this grand event, inspiring a large troupe of collaborators to adorn Viseu with modern art and serenade it with contemporary music.

Shops become installation spaces, ancient churches double as music venues, old walls serve as canvases for street art. Every plaza seems to have its own DJ, every garden its own sculpture show.

Stores, bookshops, restaurants, and bars stay open until late. The flowers of the linden trees blend their fragrance with the aromas of chocolate, vanilla and popcorn. There are workshops to attend, movies to watch, performances not to miss. It is a wonderful celebration of the many ways in which the old inspires the new.

The Ephemeral Gardens (Jardins Efémeros) festival runs from July 1 to 10, 2016. All events are free. Click here to see the program. 

Artistic pots and pans

 

JV_114_HDR-Edit

Silampos (“seelumpoos”) is a Portuguese brand of cookware that has produced great pots and pans since 1951. Joana Vasconcelos, a Portuguese contemporary artist, used these pans to build giant high-heel shoes. These sculptures were given pride of place in the Room of the Throne when Vasconcelos showed her work at the Ajuda Palace in Lisbon.

What would D. Maria Pia, the queen who lived in this palace, think about Vasconcelos’ work? We like it. And we always liked Silampos pots and pans, even before they mingled with artists in the royal court.

Beauty in the details

Desenhos de Janelas
Varandas, Rui Barreiros Duarte, ink on paper, 2016.

When you visit Portugal you need to sleep well to rest your eyes, because as soon as you wake up there’s so much to see!

A walk in an old neighborhood is a visual feast of architectural details. Doors, windows, roofs, and balconies tell us about the craftsmanship of their builders and the dreams of their owners. Each is a distinctive brush stroke on the beautiful canvas that is Portugal.