Places to visit

Maria Doroteia’s famous Douro biscuits

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Jorge Seródio Borges and Sandra Tavares da Silva, the husband-and-wife team behind Wine & Soul, craft some of the Douro Valley’s most iconic wines—among them the extraordinary Guru, Pintas, and Manoella Vinhas Velhas. Jorge’s roots in the valley run deep: his family has been making wine there for five generations.

His mother, Maria Doroteia, devoted her life to teaching the children of the Douro Valley how to read and write. She also has a deep love for animals; at 87 years of age, she still tends to ten hens, who reward her with fresh eggs.

Maria Doroteia is renowned for her cooking. When Jorge and his sister were little, she would bake biscuits and hide them away in tins. As soon as the children caught the first whiff of the delicious aromas, they would set off on a treasure hunt until they found the precious trove of cookies, savoring them with delight.

We recently had the joy of having lunch with Maria Doroteia. With her characteristic generosity, she shared one of her cherished recipes, which we are happy to pass on to you, dear reader.

Douro Biscuits

Ingredients

  • 230 g self-raising flour
  • 200 g sugar
  • 1 egg
  • 80 g butter
  • 90 g cocoa

Instructions

  1. Mix the sugar, egg, and butter.
  2. Add the flour and cocoa, mixing well.
  3. Let the dough rest for 90 minutes to 2 hours.
  4. Roll out on a marble surface until paper-thin.
  5. Cut with a cookie cutter and bake at a low temperature until crisp.
  6. Store in a tin and hide it well! 

The bean pastries of Torres Vedras

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Portugal is a land of culinary miracles, where humble ingredients are transformed into transcendental food. Before the dissolution of the religious orders in 1834, many of these wonders came from convent kitchens. But miracles also come from the hands of lay cooks.

One such culinary prodigy is the Pastel de Feijão, a pastry made with white beans in the town of Torres Vedras, just 30 minutes north of Lisbon. The city is celebrated both for its heroic stand against the French during the Napoleonic wars and for its bean pastries.

The first written mention of these pastries is in the catalogue of the Portuguese Ethnography Exhibition published in 1896. Local tradition credits Joaquina Rodrigues, a home cook, with creating the recipe at the end of the 19th century. By the early 20th century, growing demand led to the opening of the first pastry workshops in Torres Vedras. 

Each pastel cradles within its paper-thin, crispy shell a golden cream of almond, flour, sugar, egg yolks, and white beans. Today, the most acclaimed are the Pastéis de Feijão from Serra da Vila. First sold in a modest hillside café in the 1990s, the pastries gained such renown that production had to expand to meet the ever-growing stream of admirers.

If you have a sweet tooth and find yourself traveling north of Lisbon, be sure to stop in Serra da Vila. It is your chance to savor a miraculous creation.

The Serra da Vila pastry store is located at Rua Miguel Jerónimo Nº19A, Serra da Vila, tel. 261 321 552.

Revisiting Santa Clara

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If god is in the details, then Santa Clara, our favorite hotel in Lisbon, is truly blessed. We arrived on a Friday afternoon, weary from a bumper-car-like ride through the city’s busy streets. As soon as we entered Santa Clara, a sense of calm embraced us.

We climbed the stairs slowly, savoring each step. The old lioz, the marble of Lisbon, turned pale by the passage of time blends seamlessly with the soft pink of the newer lioz, creating harmony between past and present.

Our bedroom felt like home. A spacious foyer welcomed us with a plush sofa and a generous bowl of ripe cherries. From the west-facing windows, Lisbon unfolds in all its grandeur: the Pantheon’s majestic dome rising above a sea of orange rooftops, its white stone luminous against the blue shimmer of the Tagus River. More than three centuries in the making, the Pantheon reminds us that some things are worth the wait.

To the east, the bathroom windows open to a tranquil garden planted with lemon trees, where a small choir of birds greeted us. 

The walls and closets are painted in a soft grey that is the perfect frame for the Pantheon’s radiant white. A simple geometry gives the room a sense of serenity. Pine planks draw the eye outward, to views framed by curtains that sway like skirts of ballet dancers caught in a gentle breeze.

In the bathroom, a grand bathtub, hewn from a single block of marble, stands beside two cylindrical basins sculpted from solid stone. Handmade tiles catch and scatter the light, while a thin line of marble placed at eye level evokes a far-off horizon, separating earth from sky.

After dinner, we retired to our room with the sense of being where we belonged. In the morning, sunlight poured in—joyous and bright. We made our way to breakfast—coffee, fresh bread, sweet fruit, creamy yogurt, eggs, and wild mushrooms. We lingered at the table, reluctant to part with this place that is so quietly beautiful.

Santa Clara 1728 is located at Campo de Santa Clara, 128 in Lisbon, tel. 964 362 816, email booking@silentliving.pt. Click here for the hotel website.

Dining at Ceia with Alex Atala

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Dining at Ceia is always a singular experience, but even more so when shared with the legendary Brazilian chef Alex Atala, seated humbly among the guests as if he were a mere mortal.

Lisbon’s most elegant table was adorned with the bark of a cork tree, harvested on the thirtieth anniversary of its growth. Draped in moss, mushrooms, and delicate flowers, it set the stage for a menu designed by chef Renato Bonfim and inspired by Hieronymus Bosch’s Garden of Earthly Delights.

The meal began with a whisper—an ethereal broth of ginger and algae, offering no hint of the wonders to come. A bowl soon appeared, strewn with moss and topped with chopsticks decorated with flowers. Nestled beneath the blossoms was a sublime tartare of carabineiros, the crimson prawns of the Algarve. “I was trained as a Bocusian,” Atala said, referring to Paul Bocuse, the patriarch of nouvelle cuisine. “I expect the food to be on the plate, but here, the food is beyond the plate.” A joyful Blanc de Noirs from Bairrada, fittingly named Dinamite, kept us good company.

Then came Water: a delicious composition of tomato, coriander oil, and a sorbet of toasted bread and garlic. Kristin Liebold, the gracious maître d’, poured glasses of Tepache she had crafted herself—a lightly fermented pineapple elixir that brightened the palate.

Another delight soon followed: slices of savory garlic cheesecake, adorned with white blossoms, served with perfectly fried hake from the Azores. The fish was prepared in a traditional style:  marinated in milk, lemon, salt, and pepper, then delicately fried in tempura batter. 

Atala reflected on how his time in Italy had taught him the importance of simplicity and repetition in dishes like fried fish. “Every Sunday, the mother cooks for the family,” he said, “but when the nonna (grandmother) prepares the same dish, it becomes a feast. The ingredients don’t change—but the nonna brings a deeper understanding, born of repetition and a lifetime of attention to detail.”

An exquisite wine, whimsically called Viagem ao Princípio do Mundo (journey to the beginning of the world), filled our glasses. It is made with Alvarinho grapes grown in Melgaço and aged in sherry casks.

We were then invited into the garden, where, under flickering candlelight, oysters from Setúbal arrived dressed in spinach and algae, gently cooked in a Bulhão Pato style. Atala spoke about the importance of authenticity and of how this dish marries local ingredients and time-honored techniques with a sense of modernity.

Back in the dining room, the next course arrived: cordyceps mushrooms cleverly disguised as pasta. They were glazed in aged balsamic and served with a warm, buttery brioche, the perfect partner to their umami taste. A luminous white wine from António Madeira in the Dão lent the moment a festive air.

The final savory dish was a richly flavored wild boar terrine, served with oven-cooked rice and bread made from roasted quiabos (okra).

Dessert began with a leche de tigre jelly, adorned with nasturtiums and elderflower. Then came a mousse sculpted in the shape of Silent Living’s Herdade no Tempo, the estate that supplied much of the pristine produce featured throughout the meal. The mousse was encircled by an orchestra of cherries: fresh, roasted, and infused with lemon. 

A 2000 vintage Port crowned an unforgettable meal that Renato Bonfim and his youthful brigade cooked for Alex Atala, a philosopher-chef who sees food in its fullness: as ingredient and craft, as joy and communion.

Ceia is located at Campo de Santa Clara, 128. Lisbon. Click here for the restaurant’s website.

Savoring pasteis de nata at Hotel do Bairro Alto

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In Lisbon, pastéis de nata inspire near-religious devotion. And with good reason–these delicate tarts, made of flaky layers of puff pastry and filled with a luscious cream of eggs and milk, offer a glimpse of heaven on earth.

Some Lisboetas are devoted to a neighborhood pastry shop that proudly displays the words Fabrico Próprio on its façade, signaling that its pastries are made in-house. But the city’s most revered pastry sanctuary is the Antiga Confeitaria de Belém, which has been drawing pilgrims since it first opened its doors in 1834.

Manteigaria is a more recent cult whose crisp, lemon-kissed tarts have earned a loyal following. Its original Chiado location has become a popular pastry shrine.

There is also Pastelaria Aloma, a bakery in Campo d’Ourique, which rose to fame after winning national competitions in 2012 and 2013.

Just when we thought we had tasted all the city’s holy pastries, we stumbled upon a new revelation, hidden in plain sight at the recently renovated Hotel do Bairro Alto. Its pastéis are extraordinary. The custard, radiant yellow and delicately scented, has just the right touch of sweetness. The crust is golden, crisp, and exquisitely flaky with seven layers that echo Lisbon’s seven hills.

When we asked the servers about the recipe’s ingredients, they nodded politely and walked away. But on the final morning, a waitress slipped us a handwritten note with the ingredients. The secret? The filling is made not with cream, but with milk and cornstarch, lending it an ethereal lightness. The crust’s sublime texture is achieved through a blend of butter and pork lard.

So here is an insider’s tip: if you find yourself near Chiado, step into the Hotel do Bairro Alto and take the elevator to the fifth floor. Settle into the serene terrace overlooking the Tagus River and order some pasteis de nata. As you sit there, savoring these sweet devotions, you’re likely to find yourself at peace.

Hotel do Bairro Alto, Praça Luís de Camões 2, Lisbon, tel. 213 408 288, email: reservations@bairroaltohotel.com. Click here for the hotel’s website.

Eduardo Cardeal’s great challenge

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Eduardo Cardeal was born in Abaços, a small village in the Douro Valley, where he learned the art of winemaking from his grandfather. As a child, he absorbed the traditions without fully understanding them. His grandfather used to say that the wine wasn’t “cooked” until April. Years later, while studying enology in college, he realized this phrase referred to the malolactic fermentation, the natural process through which lactic acid bacteria transform tart malic acid into softer lactic acid, reducing acidity, enhancing texture, and adding complexity to the wine.

We first met Eduardo in 2019, when he was the head enologist at Herdade da Calada. His life had been marked by tragedy—his wife had passed away, and he found himself raising their three young daughters alone. Seeking a fresh start, he returned to his roots in the Douro Valley and purchased Quinta da Peónia, a historic one-hectare vineyard planted in 1930. It is an estate with a human scale, allowing Eduardo, with the help of his daughters, to handle every step of production—from grafting vines to foot-treading grapes and bottling the wines.

He named this deeply personal project Grande Desafio, meaning “great challenge.” His goal is to create the ultimate handcrafted wines. In 2023, after years of dedication, Eduardo bottled his first vintage—5,000 precious bottles.

Perched on a plateau 550 meters above sea level, Quinta da Peónia is blessed with schist and clay soils. Unlike the famed, fast-draining schist of Foz Côa, Peónia’s porous schist retains water through the winter, naturally sustaining the vines during the dry summer months without irrigation. The altitude brings freshness, while the old vines add remarkable depth and complexity.

Eduardo’s winemaking philosophy focuses on low alcohol and minimal extraction, resulting in light, elegant wines that dance on the palate with remarkable finesse. These wines are rare finds—if you come across a bottle, take it home and treasure it.

Click here for the Grande Desafio website.

Chef Marlene Vieira is a star

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Since the dawn of civilization, Babylonians, Egyptians, and Greeks have studied the skies to chart the stars. But these luminous bodies shined whether or not they were included in celestial atlases.

Last Tuesday, Marlene received a Michelin star—a richly deserved honor that celebrates her extraordinary talent and dedication. But long before this important accolade, her light had already illuminated the world of gastronomy. What fuels her radiance is the belief that cooking is an act of love. Each time we dine at her Zun Zum restaurant, we feel not just deeply satisfied but cared for.

Now, at the restaurant that bears her name, Marlene is elevating Portuguese cuisine to new heights. The space exudes serenity, with the kitchen at its heart—an altar where ingredients are transformed into a transcendent gastronomical experience. The menu evolves constantly, and once a recipe leaves, it does not return, making each meal a singular experience.

Guiding this culinary journey alongside Marlene is Chef Mário Cruz. He searches land and sea for exquisite treasures—sea urchins, Algarve red shrimp, wild mushrooms, cuttlefish, mullet, octopus, and partridge. 

The food is visually stunning, but, more importantly, it is delicious and it has soul. The irresistible cornbread, kneaded from white corn, wheat, and rye, follows Marlene’s grandmother’s recipe. The Azorean bluefin tuna, cured as if it were prosciutto, accompanied by gazpacho served in a bowl lined with sumac, transported us to the Algarve, to a sunlit table by the sea.

The partridge is cooked according to a famous recipe. During the Napoleonic invasions, General Junot’s troops looted the library of the Alcântara Monastery. Among the stolen manuscripts was a recipe for partridge stuffed with foie gras and truffles. Junot sent it to his wife, who introduced it to France as “Partridge, Alcântara style.” The renowned chef Auguste Escoffier declared it one of the finest spoils of the Napoleonic wars. Marlene’s reimagined version of this historic dish is so extraordinary that it might provoke another French invasion.

Marlene Vieira is a star–not because she has been recognized among the constellations of fine dining, but because she has always shined.  If you find yourself in Lisbon, take the time to sit at her table to savor the brilliance of her cuisine.

Marlene is located at Av. Infante D. Henrique, Doca do Jardim do Tabaco, Lisboa, tel. 351 912 626 761, email marlene@marlene.pt.

Ceia’s new menu

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As John Coltrane’s career evolved, his music underwent a profound transformation. He began as a virtuoso, dazzling audiences with his fluency and flair. But then, he transcended virtuosity, creating music that other players could not imagine because it came from a deeper source of inspiration.

The evolution of Ceia parallels this creative arch. From its inception, this restaurant, nestled within Lisbon’s most elegant hotel, offered unforgettable culinary experiences. But its current menu, orchestrated by a team led by chef Renato Bonfim, transcends technical skill to offer food that is new and exciting.

Titled Change, the menu is a series of culinary moments inspired by our planet and the way we interact with it. Most produce comes from Herdade no Tempo an estate in Alentejo that follows regenerative agriculture practices. Ceia transforms these products into elegies of cooking and celebrations of flavor. 

We generally like to describe the tastes, aromas, and sensations that the food evokes, but Ceia’s menu is so unique that revealing too much would detract from its magic. What we can tell you is that the names of the menu entries could be titles of Coltrane tunes: Ocean, Carbon, Air, You Look but Don’t Sea, Solo. 

The service at Ceia, as seamless as always, keeps the guests in a state of enchantment. Francisco Guilerme curates a pairing of rare wines that elevate every dish and Kristin Liebold offers an exquisite selection of non-alcoholic drinks.

Ceia is creating new culinary melodies from a deeper source of inspiration to feed our hunger and nourish our souls. 

Ceia is located at Campo de Santa Clara, 128. Lisbon. Click here for the restaurant’s website.

Alheiras

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The origin of alheiras (pronounced ahl-yay-ras), a traditional Portuguese sausage, is intertwined with the history of Portugal’s Jewish community during the reign of King Dom Manuel I (1495–1521). 

Dom Manuel sought to strengthen Portugal’s standing in Europe by marrying the daughter of the Spanish Catholic Monarchs, Ferdinand of Aragon and Isabella of Castile. However, the union came with a condition: Portugal had to adopt Spain’s policies toward Jews, forcing them to either convert to Christianity and become “New Christians” or leave the country.

Jewish dietary laws forbid the consumption of pork, a staple of Portuguese cuisine. To avoid persecution, New Christians ingeniously created a pork-free sausage using bread, garlic, and other meats such as poultry or game. These sausages, known as alheiras (from alho, the Portuguese word for garlic), were smoked to resemble traditional pork sausages, allowing Jewish families to appear to conform to local customs.

Today, alheiras are a cherished element of Portuguese cuisine, particularly in the Trás-os-Montes region, where they originated. The town of Mirandela is especially famous for its alheiras. Although modern recipes often include pork, these sausages stand out for their distinctive flavor.

Preparing alheiras is far more complex than making traditional chouriços. To make chouriços, pork is marinated in vinha d’alhos—a flavorful blend of garlic, bay leaf, salt, olive oil, paprika, and wine—before being stuffed into casings and smoked until dry. In contrast, alheiras require meticulous preparation: a variety of meats are carefully cooked and then combined with bread and spices before filling the casings and smoking the sausages. Every detail is crucial in this labor-intensive process.

The finest alheiras we’ve ever tasted are crafted by Maria da Graça Gomes and her daughter, Rosário Buia, at Toca da Raposa in the Douro Valley. They are made with an exquisite mix of meats, including rabbit and pheasant, and seasoned with great finesse. Grilled, lightly fried in olive oil, or baked in the oven, these sausages are a culinary feast.

Toca da Raposa makes alheiras between November and January. You can place an order by calling 969951191.

Finding perfection at Ervamoira

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“When my father came home from work, he would spend hours studying military maps,” recalls Jorge Rosas, the CEO of Ramos Pinto, a port wine house founded in 1880 by his great-grandfather, Adriano Ramos Pinto. “He was searching for the perfect farm in the Douro Superior, a region he believed could produce exceptional wines like the legendary Barca Velha.”

Sitting on the floor with an old magnifying glass that had lost its handle, Jorge’s father, José António, pored over contour lines in search of flat land. He wanted to find terrain that was easier to cultivate than the steep slopes that dominate the Douro Valley. From Friday to Sunday, José António drove through rustic roads, to visit locations he had marked on the maps.

One day, crossing a remote mountain path, he found his dream farm. “Shangri-La!” he exclaimed. The estate, then planted with cereals, was called Ervamoira. It was love at first sight—a love so strong that his wife often felt jealous of the farm. Determined to buy it, José António contacted the owners in Lisbon. Despite having little attachment to the estate, they hesitated to sell a property that had been in their family for generations.

An avid trout fisherman, José António donned his fishing gear to fish in the rivers that cross Ervamoira, the Coa, and the Douro, even though he knew they had no trouts. Fishing was merely an excuse to immerse himself in the landscape, imagining the vineyards he might one day plant.

In the aftermath of the 1974 revolution, many farms were nationalized. Fearing expropriation, the owners of Ervamoira agreed to sell. Despite his family’s concerns about buying an estate amid so much uncertainty, José António seized the opportunity. “My father is a cereal killer,” jokes Jorge, alluding to how the cereal fields were soon replaced with vineyards.

At Ervamoira, José António introduced innovative viticultural practices. He assigned each grape varietal to a separate plot. Instead of using traditional terraces, he planted vines on platforms that facilitate mechanization. High-density planting forced roots to delve deep for nutrients, enhancing quality through higher polyphenol content and increasing drought resistance.

But a shadow loomed over paradise. In the early 1990s, plans resurfaced to construct a hydroelectric dam that would flood the estate. Horrified, José António fought tirelessly against this project. The discovery of a Roman tomb and ancient coins on the property provided fleeting hope, but archaeologists deemed the finds insufficient to halt the dam project.

Desperate, José António entered his wines into international competitions, receiving numerous awards. But not even these accolades could stop the project.  “What now?” he wondered. “Only a miracle can save the farm,” his cousin, João Nicolau de Almeida, remarked.

Then, a miracle happened. Archaeologists discovered prehistoric cave engravings near Ervamoira.  An expert who secretly evaluated the site revealed that the engravings are about 30,000 years old. It was widely assumed that outdoor prehistoric art couldn’t survive millennia of exposure to the elements. Ervamoira proved otherwise.

The discovery attracted the attention of the Portuguese media but failed to sway the government. Deliverance came from an unexpected source. A Portuguese émigré, who had been Jacqueline Kennedy’s butler, read about the engravings in a local newspaper. He shared the news with an acquaintance at The New York Times, and the newspaper published an article titled “Vast Stone Age Art Gallery Is Found but Dam May Flood It.” The story sparked an international outcry that led to the abandonment of the dam project.

Today, Ervamoira thrives. Its grapes contribute to the iconic Duas Quintas wines, made from a blend of grapes from two farms—Ervamoira and Bons Ares. The schist soils of Ervamoira, at 150 meters altitude, lend structure, while Bons Ares, perched at 550 meters with limestone soils, adds refreshing acidity.

Ervamoira’s magic is unmistakable. Nestled in the remote Douro Superior beyond the Cachão da Valeira—a region inaccessible until Queen Maria I spearheaded efforts to make the Douro River navigable—it is a gem of the Douro Valley, a dream that a miracle made come true.

Please click here for information on how to visit Ervamoira.