António Magalhães closed his lecture on the Douro’s grape varieties with a provocative question: “But who can hope to understand so many grapes without tasting Port?”
Port wine is the ultimate expression of the vineyards of the Douro Valley. As scholar Alfredo Guerra Tenreiro famously observed, “There is a uniqueness in the Douro climate that one can recognize and feel in the uniqueness of Port wine.”
Here are António’s recommendations for enjoying Port wine at its best.
Five Golden Rules
1) Choose the proper glass A classic white wine glass made of thin glass is ideal for Port. It lifts the aromas, focuses the flavors, and makes every sip a celebration.
2) Serve Port properly chilled The ideal serving temperatures for each style of Port are: • White Ports: 6–10 °C (43–50 °F) • Tawnies: 10–12 °C (50–54 °F) • Rubies: 12–16 °C (54–61 °F)
Once opened, White Ports and Tawnies should be stored in the refrigerator door. Ruby Ports, especially Vintage Ports, are best enjoyed soon after the cork is pulled.
The British have a tradition of passing the Vintage Port bottle or decanter from right to left, keeping it in motion. If someone forgets, the other guests often ask, “Do you know the Bishop of Norwich?”—a nod to Henry Bathurst, the early-19th-century bishop known for dozing off at dinner and neglecting to pass the Port.
3) Keep a 20-Year-Old Tawny in the refrigerator Tawnies are crafted from wines of various harvests, aged patiently in oak casks until the perfect moment for blending and bottling. A 20-year-old Tawny brings together wines with a weighted average age of twenty years, creating an alchemy of time and winemaking artistry. António’s longtime favorite is the magnificent Taylor’s 20-Year-Old Tawny Port.
4) Always decant Vintage and Crusted Ports Vintage Ports are bottled without filtration, which allows them to continue evolving in the bottle. Over time, sediment naturally accumulates. Decanting separates the clear wine from this sediment—harmless, yet coarse and unwelcome in the glass. It also allows the wine to breathe, letting oxygen gently soften its structure and release its full array of aromas.
When Port was shipped in barrels, British merchants crafted Crusted Ports by blending more than one Vintage, aging the wines in large wooden vats, and bottling them unfiltered for cellaring. After Portugal banned bulk exports of Vintage Port in 1974 (extended to all Ports in 1997), this style became rare. Today, only a few houses, like Fonseca, continue the tradition. Like Vintage Ports, Crusted Ports develop a natural “crust” as they mature and should always be decanted before serving.
5) Port is to be shared Port invites conversation and brings out sincerity. Violette Toussaint, the unforgettable protagonist of Valérie Perrin’s Fresh Water for Flowers, put it best: “My port wine has the same effect on everyone. It acts like a truth serum.”
How to Decant a Vintage or Crusted Port at Home
The day before serving, select the bottle you wish to open and stand it upright so the sediment can settle at the bottom. Leave it somewhere convenient—on a sideboard or on the kitchen counter.
Use a suitable corkscrew; a two-pronged cork puller is ideal for opening older bottles, whose corks are often fragile. Once opened, pour the wine slowly into a decanter or glass jug.
Strain the wine through a small flannel filter to ensure perfect clarity. Take a moment to taste the wine and enjoy that first impression.
Rinse the bottle and let it drain completely. Return the decanted wine to the original bottle. Keep the bottle in a cool place and check the temperature before bringing it to the table. If needed, a brief rest, fifteen minutes or so, in the refrigerator door will bring it to the ideal 16–18 ºC, with the higher end recommended for older Ports.
Magical Pairings
White Port
White Port is typically enjoyed as an aperitif and is made in a range of styles, from extra-dry to sweet. Even the sweeter versions remain balanced and never feel cloying on the palate.
There are two production approaches: oxidative and non-oxidative. In the non-oxidative style, winemakers shield the wine from oxygen to preserve its vibrancy. These Ports are bright and citrusy, ideal for the popular Port Tonic cocktail.
In contrast, the oxidative school relies on controlled exposure to air. Depending on the winemaker’s approach, this exposure may begin during fermentation and continue throughout aging in wooden vessels ranging from small casks to larger vats such as toneis and balseiros. Over time, this gentle oxidation deepens the wine’s character, imparting a golden hue and nuanced layers of nuts, caramel, butterscotch, and dried fruits.
António favors the oxidative style. His preferred White Ports, both made from blends that include Malvasia Fina, are the Fonseca Guimaraes Siroco—crisp and extra-dry—and the Ramos Pinto Finest White Reserve, which offers a discreet, delicate sweetness.
White Port pairs beautifully with toasted almonds, especially those from the Douro Superior, and with codfish cakes. It also harmonizes with soft-ripened cheeses, lending a bright acidity that lifts their richness.
Tawny Port
Tawnies pair blissfully with sweet desserts. In the Douro Valley, they are often served with crème brûlée—torched before serving—or almond tart. Egg pudding and Tawny Port are made for each other; tradition even calls for two glasses of Port instead of one: the first to honor the pudding, and the second to toast the cook who prepared it.
Another indulgence that pairs perfectly with Tawny Port is Toucinho do Céu (bacon from heaven), a convent sweet made with almonds, egg yolks, sugar, and a touch of lard that lends a soft, velvety texture. Murça, near Vila Real, is renowned for the version created at the Santa Maria Monastery and now made by Casa das Queijadas e Toucinho do Céu. The town is also celebrated for the vineyards that surround it, which produce some of the Douro’s finest white grapes—coveted by both Port and DOC Douro winemakers.
Tawnies also shine alongside nuts, dried fruit, or simply on their own, paired only with the quiet luxury of time and good conversation.
Ruby Port
Ruby Ports are excellent companions for cured cheeses. Portugal offers a rich array of these cheeses from regions such as the Estrela Mountain near Seia, Serpa in Alentejo, Azeitão near Lisbon, and São Jorge in the Azores.
English Port merchants traditionally pair Ruby Ports, particularly Vintage Ports, with Stilton cheese. Vintage Port is made only in exceptional years, aged in wood for one or two winters, and then bottled to mature slowly and majestically.
For an unforgettable experience, seek out the Vintage Vargellas Vinhas Velhas 2004, crafted in a superb year from a field blend of vines planted soon after phylloxera. António believes old vineyards like the one that produces this wine hold the key to understanding the future of viticulture in the Douro Valley.
Late Bottled Vintage (LBV)
António enjoys pairing LBVs (rubies aged four to six years in oak and then bottled), with chocolate mousse. His favorite mousse replaces butter with extra-virgin olive oil from the Douro Valley. He generously shares his recipe below.
Mousse de Perdição (Sinful Chocolate Mousse)
Ingredients • 150 g dark chocolate (70% cocoa) • 100 ml extra-virgin olive oil (preferably from the olive groves that frame Douro vineyards) • 5 tablespoons sugar • 4 eggs, with yolks and whites separated
Instructions
1. Melt the chocolate Break the chocolate into small pieces and melt gently in a bain-marie or in short microwave intervals. Allow it to cool slightly.
2. Add the olive oil Whisk in the olive oil until the mixture is smooth and glossy.
3. Prepare the yolks Beat the egg yolks with the sugar until pale and creamy. Fold into the chocolate mixture.
4. Whip the egg whites Beat the whites until firm peaks form, then gently fold them into the chocolate base, preserving as much lightness as possible.
5. Chill Spoon into serving cups or a single bowl. Refrigerate for at least 3 hours, ideally overnight.
The third lecture on the Douro Valley, led by the great viticulturist António Magalhães, focused on grape varietals. He began by reminding us that no grape can be understood in isolation and that, in the hierarchy of terroir elements, climate takes gold, soil silver, and grape varieties only bronze.
Why, then, are wine lovers so obsessed with varietals? The Californian winegrower Robert Mondavi helped transform grapes into celebrities—Cabernet Sauvignon and Chardonnay became the first wine influencers. He taught consumers to treat varietals as if they had fixed personalities—yet the same grape can dazzle in one vineyard and disappoint in another.
The Douro’s Grape Diversity
Italy is famous for its grape diversity, but its varieties are scattered across many regions. The Douro concentrates an extraordinary diversity into a single valley: there are currently 110 grape varieties authorized for Port and Denominação de Origem Controlada (DOC) wines, a rich palette essential for adapting vines to the valley’s wide range of climates and soils.
This grape diversity arose from two pivotal episodes. The 1756 demarcation of the Douro region by the Marquis of Pombal unified the valley’s scattered vineyard “islands,” promoting the circulation of cuttings from the best vines and attracting varieties from elsewhere in Portugal and abroad, now that only the Douro could legally produce Port wine.
A century later, the phylloxera crisis triggered a second wave of diversity. Growers turned to Mourisco Tinto, a grape praised by the Baron of Forrester as “the original port-wine grape, of a Burgundy character, producing a wine free from acidity and full of fine dry flavour.”
Mourisco Tinto, a variety that is relatively resilient to phylloxera, has functionally female flowers that must be fertilized by neighboring varieties. This cross-pollination produced important new grape varieties, such as Tinta da Barca.
Despite its storied past, a 2017 government decree quietly removed Mourisco Tinto from the list of grapes permitted in Douro denomination wines. António mourns the loss of dignity inflicted on a variety that is the mother of so many Douro grapes.
What were the grapes planted in pre-phylloxera vineyards?
Key Varieties Before the Onset of Phylloxera in 1862-63
In 1846, the Baron of Forrester captured the essence of pre-phylloxera Douro red grapes in his trademark telegraphic English: Bastardo was “the sweetest,” Sousão “the deepest colored,” Alvarelhão “a claret grape,” and Touriga “the finest” — a four-word taxonomy of the old Douro.
Touriga Nacional—then simply Touriga, for no rival shared its name—was esteemed for its color and quality, even as it tested growers with its demands. After phylloxera, its cross with Mourisco Tinto produced Touriga Francesa, and the original Touriga acquired a new name, Touriga Nacional.
Tinta Francisca was a pillar of the old wines. For António, this grape is the epitome of elegance—upright in the vineyard, and capable of wines of striking finesse when carefully farmed. Its yields are modest, as if the varietal had taken a vow of Franciscan poverty.
Bastardo appears in nearly every pre-phylloxera inventory. Its early ripening made it irresistible to birds, and its weak performance in hot, dry years tarnished its reputation; after phylloxera, it was largely abandoned.
Francisco Rebello da Fonseca praised Tinto Cão in his renowned Agricultural Memoirs (1790). Exceptionally late-ripening, it “ripens well without drying or rotting” and produces strong, generous wines with remarkable acidity.
Vigorous and resilient, it falters in very cool years but excels in hot, dry ones. Its leaves dry and fall off early, exposing clusters that shrug off the same sun that crucifies other grapes. This resilience makes it one of the Douro varieties best suited to a warming climate.
As with the reds, early records identify the key white grapes. Gouveio was considered noble but finicky, thriving only at the right altitude and soil depth. Viosinho was valued yet scarce. Malvasias (Malmseys) were prized for Port, although growers rarely distinguished among their many subtypes. Rabigato was already admired for its complete profile, and Moscatel contributed its alluring aromas. Arinto do Douro, today known as Dorinto, also appears in early inventories.
Beyond these core grapes lay a multitude of other white varieties—once common, now rare or nearly extinct.
Replanting the Douro: The Grapes of the Post-Phylloxera Era
In the 1940s, Álvaro Moreira da Fonseca, the President of the Board of Casa do Douro (the vine-growers’ association), classified eighty-eight grape varieties—fifty-one red and thirty-seven white—into five categories ranging from very good to bad.
In winemaking, as in chamber music, the quartet is a natural ensemble. The four grapes that have long formed the backbone of Ports and DOC Douro reds—Touriga Nacional, Touriga Francesa (also known as Touriga Franca), Tinta Roriz, and Tinta Barroca—play together with the balance and tension of a seasoned string quartet. Each contributes a distinct voice; together, they create harmony.
Touriga Nacional
Touriga Nacional has been the Douro’s first violin for more than two centuries. Nineteenth-century grapevine botanists praise its thick-skinned berries, velvety wines, and remarkable balance, placing it among Portugal’s noblest grapes and worthy of comparison with the world’s best varieties. Yet after phylloxera, Touriga Nacional fell out of favor: it was laborious to train, produced too many small clusters, and exhausted growers’ patience. Its less demanding descendants—Touriga Francesa, Tinta Barroca, and Tinta da Barca—took center stage. Only in the 1970s and 1980s, when Port shippers became large-scale viticulturists, did Touriga Nacional regain its pre-phylloxera prestige, becoming a cornerstone of both Port and Douro DOC wines.
Touriga Francesa, today the Douro’s most widely planted grape, is the quartet’s second violin. A cross of Mourisco Tinto and Touriga Nacional, its name likely an homage to the French hybridization school that may have helped create it.
In the vineyard, it performs with admirable consistency: productive, reliable, and notably resistant to powdery mildew, downy mildew, and heat. It thrives across a wider range of soils than Touriga Nacional and performs just as gracefully in the cellar, yielding deeply colored, aromatic wines with soft tannins and long life. Its only caprice is timing: the harvest window is narrow, and the vines offer few clues when the fruit reaches its peak.
But no variety is perfect. In 1989, António discovered that Touriga Francesa is unusually hospitable toLobesia botrana (grape moth), especially when planted outside of a field blend.
Tinta Roriz, the Douro’s second most planted red variety, is the viola of the region. Its personality is complex—vigorous yet disease-prone, early-ripening, and very sensitive to its site. In the right place, it delivers depth, firm tannins, and remarkable aging potential. It is indispensable in Port and ubiquitous in old field blends. But when planted in unsuitable locations or grafted onto overly vigorous rootstocks, it yields disappointing results. For this reason, it does not always receive the appreciation it deserves from Douro winemakers.
Tinta Barroca, another cross of Mourisco Tinto and Touriga Nacional, may be identical to the pre-phylloxera Boca de Mina praised by Forrester as “the most delicious.” In musical terms, it is the cello—naturally sweet with a supple texture. Early-ripening with high color and low tannins, it excels on cooler or north-facing slopes where its sugars stay in balance. Its vigor and sprawling shoots complicate canopy management, and Downy mildew can trouble it, though oidium rarely does.
But in the Douro, a quartet rarely suffices. Most winemakers rely on six or more varietals. Supporting grapes like Tinta Amarela, Tinto Cão, Tinta Francisca, and Tinta da Barca—along with others like Rufete, Malvasia Preta, Sousão, and Cornifesto—add color, acidity, perfume, structure, and nuance. Together they create the fuller orchestra needed to reveal the Douro’s symphonic splendor.
As with the red varieties, each white grape carries a distinct personality shaped by altitude, exposure, and soil. Viosinho is a Douro ex-libris—elegant, early-ripening, with golden berries that glow on sun-exposed parcels. It brings citrus-floral lift and finesse to both dry whites and the finest white Ports, though it requires vigilance against powdery mildew.
Viozinho
Traditionally more tied to Port production than to dry Douro whites, Malvasia Fina ripens early and easily reaches raisin stage, making altitude and cooler sites its natural allies. In shallow soils it struggles, and in deep soils it becomes overly vigorous, shading bunches and encouraging powdery mildew. When well grown, it contributes fragrance, texture, and a touch of richness to blends.
Gouveio is an ancient Douro variety discussed in Rui Fernandes’ 1531 survey of the Lamego region. It is low-yielding and delicate; its thin skins make it vulnerable to sunburn and powdery mildew, so it requires sheltered sites. It produces firm, well-structured wines with good alcohol and remains essential to both Port and high-quality Douro table whites.
Rabigato has long been recognized as an elite white grape, praised for its noble character and distinctive, highly valued flavor. It ripens late, and although its thick skins once suggested resistance to rot, plantings in monovarietal parcels have shown that it is, in fact, highly susceptible to downy mildew. Despite this fragility, its rise in the Douro has been meteoric, excelling both as a single-varietal and as a vital contributor to blends.
Another white grape moving beyond old field blends into solo bottlings, Códega do Larinho stands out for the complexity of its fruity aroma. In blends, it adds character and perfume, though it sometimes relies on companions to supply the acidity it can lack. Its charm lies in its exuberance and adaptability.
Arinto
Arinto’s star keeps rising thanks to its late ripening, naturally high acidity, and impressive heat resistance. In the Douro, it is traditionally used in blends—completing the classic trio of Malvasia Fina, Viosinho, and Gouveio. It provides freshness, tension, and backbone in a region where heat is always a challenge. Dourinto, the indigenous Arinto, has fallen out of favor compared to the Arinto from Bucellas, near Lisbon, but it still lingers in many vineyards, waiting to be rediscovered.
Moscatel Galego Branco found its spiritual home in Favaios and Alijó, where it gives life to the Douro’s fortified Moscatel wines, making the Douro the only wine region to craft two fortified wines—Port and Moscatel. Throughout the valley, winemakers draw on Moscatel Galego Branco’s unmistakable floral aromatics to enrich a wide range of blends. It remains one of the Douro’s most expressive and recognizable white varieties.
For white grapes, the core ensemble is led by Viosinho, Gouveio, and Rabigato. Malvasia Fina completes the quartet for Port production, while Códega de Larinho takes the fourth chair for DOC Douro wines. Yet, as with the reds, most producers favor a fuller quintet—drawing on all these varieties, or a sextet that adds Arinto to achieve greater balance, nuance, and harmony.
Massal versus Clonal Selection
Knowing the varieties is only the beginning; equally important is how vines are propagated. The choice between massal and clonal selection shapes diversity, disease resistance, and wine style.
António argues that massal selection should take precedence over clonal selection. Clonal selection multiplies a single vine, ensuring uniformity but narrowing genetic diversity and increasing vulnerability to disease.
Massal selection is like saving seeds from your best heirloom tomatoes. It preserves natural diversity within a variety—differences in ripening, acidity, and disease tolerance—and honors the personality of a site. António notes that identical DNA does not guarantee identical behavior in the vineyard or in the cellar. Tinta Roriz may share its genetic code with Aragonês and Tempranillo, but centuries in Douro soils have shaped it into something distinct. The same is true of Souzão and Vinhão.
António admires Italy’s guardians of grape varieties—people who preserve living collections of rare grapes. The Douro, with its extraordinary diversity, needs similar guardians.
Soloists
Once vines are in the ground, winemakers must decide how to use their fruit. And much as in an orchestra where only a few instruments can captivate an audience when playing unaccompanied, only a handful of Douro grapes can enthrall wine lovers as soloists.
Touriga Nacional is the clearest example, capable of depth, elegance, and longevity, although it is often too exuberant for Port unless blended. Tinto Cão is another–superb when planted in hot, western-facing slopes. Among the whites, Rabigato and Gouveio are steadily earning soloist status.
Most varieties, however, play supporting roles: Barroca brings sweetness and color, Sousão deepens the hue, Rufete contributes delicacy, and Malvasia Preta or Cornifesto add nuance and acidity.
There are, of course, exceptions. In Ravel’s Boléro, the bassoon unexpectedly rises to lead the melody. Similarly, in the Douro, a modest grape can sometimes make a vineyard sing. In the original vines at Quinta da Réduída, in Folgosa do Douro (Cima Corgo), Malvasia Preta—considered merely “good” by Álvaro Moreira da Fonseca–comprises forty percent of the field blend and yields a superb wine.
Tinta Barca and Tinto Cão
The Douro’s Four Blends
Single-varietal wines are an intriguing new trend, but the Douro’s character is best expressed in the way winemakers bring grapes together to create blends of remarkable harmony and depth. They blend varieties in the vineyard, combine them in the granite lagares during fermentation, and later assemble wines from different plots—and, in the case of Tawny Ports, even from different vintages.
The Magic of Field Blends
António says a winery needs a core palette of about a dozen varietals, though having twenty or thirty across white and red grapes is even better. The Douro’s Mediterranean climate, with its year-to-year weather fluctuations, gives each vintage its own triumphs and trials: some grapes flourish while others struggle. Planting many varieties together helps obtain reliable results even when varieties ripen at the wrong time, and when the weather affects the various stages of the vine’s life cycle, from budbreak to harvest.
Old field blends mix red and white grapes, major and obscure varieties—a randomness that demands care at harvest time but preserves priceless genetic diversity.
After 1970, field blends were modernized. Today’s approach preserves diversity across varieties, while massal selection safeguards diversity within each variety. Viticulturists fine-tune the choice of grapes to the vineyard’s location, soil structure—especially soil depth—and to microclimates shaped by topography, altitude, and solar exposure. Each vineyard thus becomes an irreproducible mosaic of grape varieties.
During harvest, the blend can be refined by adjusting how much of each variety is picked, by advancing or delaying the picking of certain grapes, and by bringing fruit from early- or late-ripening parcels together with grapes from other vineyards to create a more harmonious whole.
When designing a field blend, viticulturists also value the vineyard’s beauty. In choosing which varieties to plant, they imagine not only the wine they will yield but also how the leaves will glow green in spring and burnish into a tapestry of yellow and red hues, allowing the Douro to reinvent its beauty in every season.
Co-Fermentation in the Lagar
In 1790, Francisco Rebello da Fonseca discussed the essential principles of field blending and co-fermentation. He observed that wines best suited to aging and long sea voyages required an austere, astringent profile with a firm vinous bite—a character achieved by combining less-sweet, slightly acidic grapes with sweeter ones.
Rebello da Fonseca criticized the growing trend of fermenting each variety separately rather than co-fermenting grapes that complement each other. Indeed, in the lagares–the granite tanks used for grape fermentation–co-fermentation often yields results unattainable through separate vinifications. Tinta Barroca, for example, gains structure when fermented alongside a tannic partner such as Touriga Francesa. Such fermentations create interactions—between tannins, pigments, and aromatics—that cannot be replicated by blending finished wines.
Blending Across the Hillsides
Enologists blend grapes that originate from different plots. Grapes from higher plots bring acidity and freshness; those from lower sites contribute alcohol, tannins, and color. Together they form balanced, expressive wines.
To produce ruby ports in general, and vintage ports in particular, master blenders combine wines from different plots and, sometimes, from different estates.
This practice is not unique to Port. Some table wines also draw on fruit from multiple estates. The famous Barca Velha, the table wine first produced by Fernando Nicolau de Almeida in 1952, was a blend of grapes from Quinta do Vale Meão in the hot Douro Superior and from higher-altitude vineyards in Meda.
Blending Through Time: Tawny and Crusted Ports
In Tawny Ports, different vintages are blended in the same bottle, each carrying the imprint of its own harvest and years in wood. Older wines offer depth and wisdom, and younger ones brightness and energy, resulting in a symphony of flavors and aromas.
When Port was shipped in barrels, British merchants would blend wines from more than one Vintage, age them in large wooden vats, and bottle them unfiltered. These “Crusted Ports” took their name from the natural crust or sediment that formed in the bottle. Today, only a few houses, such as Fonseca, preserve this traditional style.
Coda
With each passing year, the art of blending preserves the Douro’s identity—a landscape defined by diversity and adaptation, and by the harmony created by climate, soil, and vineyards that produce extraordinary wines.
When wine lovers ask which places they must visit in Portugal, we always recommend Bairrada—a name worth remembering, for it belongs to one of the country’s most captivating wine regions.
Famous Grapes
Bairrada’s soils are a mixture of clay and limestone with streaks of sand. The region is the birthplace of two exceptional grapes: the red Baga and the white Bical. Baga thrives in clay-limestone, while Bical flourishes in both clay-limestone and sandy soils.
The Sparkling Capital of Portugal
Bairrada is Portugal’s sparkling-wine capital. The clay-limestone soils echo the chalk of Champagne, storing moisture during dry spells and reflecting sunlight, allowing grapes to ripen slowly while retaining vibrant acidity and minerality. Cool Atlantic breezes and morning fog temper the summer heat and lengthen the maturation process, giving the fruit extra complexity. The region has been crafting traditional-method sparkling wines since 1890, and they’re now an integral part of daily life. Many meals start and finish with a glass of bubbles, transforming even simple dinners into a celebration.
Where to Stay
We like to make the Vista Alegre Hotel in Ílhavo our base. Built on the marshes of the ria, where saltwater and freshwater meet, the hotel surrounds the 19th-century manor house of the family who discovered the secret of porcelain in 1824.
The hotel’s shops overflow with graceful Vista Alegre porcelain and exuberant mid-20th-century designs by Rafael Bordallo Pinheiro. Feeling inspired? Join a porcelain-painting class and bring home your own creation.
Wine tasting
Luís Pato
Our first stop is usually the winery of the legendary Luís Pato. In the 1990s, when foreign consultants urged Portuguese farmers to replace native grapes with French varietals, he stood firm in Baga’s defense. Time has vindicated him: today his Baga wines rank among Portugal’s most prized, and his unwavering commitment has earned him the nickname “Mr. Baga.”
Luís’ energy and creativity know no bounds. His Vinha Pã Baga blanc-de-noir sparkling wine, uses hyperoxidation rather than sulfur dioxide during must clarification. The result is a wine with fine, persistent bubbles, featuring aromas of wild berries and toasted brioche, and an elegant finish.
Every year, Luís bottles 300 precious bottles of Espumante Pé Franco. It is a sparkling wine made with grapes from century-old vines rooted in sandy soils that shielded them from the phylloxera plague that swept Europe in the 19th century. These ungrafted plants produce a tenth of the yield of a modern vineyard. But the wine is extraordinary—bursting with intensity and lingering beautifully on the palate.
Luis and his daughter, Maria João, are great hosts; gather a group of friends, and they can arrange a feast with leitão (roast piglet), perfectly paired with a dazzling tasting of their wines.
Filipa Pato & William Wouters
Luís’s other daughter, Filipa Pato, and her husband, master sommelier William Wouters, farm biodynamically with stunning results. Often dressed in their playful “Baga terroirista” t-shirts, they are passionate advocates for Bairrada’s land. Their small winery isn’t set up for visits (even members of Coldplay once struggled to arrange a tasting), but their wines are easy to find in local restaurants and well worth seeking out. Highlights include Nossa Solera, a sparkling wine made from a blend of barrel-aged base vintages going back to 2001, and Nossa Missão, an exquisitely complex Baga from a small vineyard planted in 1864, produced with gentle extraction, resulting in an elegant wine that preserves the grape’s aromatic depth.
Mário Sérgio
Another icon is Mário Sérgio, who proudly calls himself a vigneron—a winemaker who only makes wines with the grapes he cultivates. Every Saturday, he and his son Frederico welcome visitors to his cellars, pouring sparkling and still wines made with joyous finesse. His celebrated Pai Abel honors his father; both the red and the white are wonderful to drink young yet reward patience, gaining even greater depth and nuance with age.
Caves São João
At Caves São João, the genial Célia Alves leads tastings in cellars that date back to 1920, where venerable still and sparkling wines astonish with their refined character and vigor.
Many of these producers, along with others, come together each year for Baga Friends, a joyful celebration of the grape and a perfect opportunity to meet them all in one place.
Where to Eat
For a regal lunch, head to the Bussaco Palace. Built in the waning days of Portugal’s monarchy, the building, surrounded by a lush forest, was once a royal hunting retreat. The British mystery writer Agatha Christie enjoyed vacationing here. Chef Nelson Marques brings the grand dining room to life with elegant dishes crafted from the finest local ingredients, creating a memorable dining experience.
The palace is renowned for producing wines with exceptional aging potential. Its legendary cellar holds vintages dating back to the early 1900s. Winemaker António Rocha continues this tradition. He recently unveiled the palace’s first sparkling wine—a sumptuous cuvée whose brioche-scented bouquet captivates the nose while the palate delights in luxurious creaminess and vibrant freshness.
No visit to Bairrada is complete without tasting leitão assado (roasted piglet). Mugasa is a perfect place to try this delicacy and a favorite lunch spot for local winemakers.
Beyond the Vineyards
Stroll along Costa Nova, famous for its candy-striped fishermen’s houses and sweeping views of the ria. Walk the wooden promenade by the beach and savor a caldeirada (fish stew) at Clube da Vela, where the river views are as memorable as the meal.
Another local delicacy, prized since Roman times, is eel. Try the fried eels or eel stew at Marinhas in Aveiro. And don’t leave without sampling the region’s signature sweets: ovos moles, a silky egg confection, and crisp wafer-like hóstias.
The Future of Bairrada
While Champagne grapples with warming temperatures—so much so that some producers are buying vineyards in England—Bairrada is protected by the cool breeze of the Atlantic Ocean. It is a region with passionate wine makers, a unique terroir, and a brilliant future.
In 2023, Grandes Escolhas, a leading wine magazine, named Diogo Lopes “Enologist of the Year.” The seeds of this recognition were planted in his childhood. While most of his friends spent their summers by the sea, Diogo stayed on his grandfather’s farm in the mountains of Covilhã. A passionate vintner, his grandfather produced 2,000 liters of wine each year—enough to enjoy with family and share with friends. The experience of harvesting grapes left a lasting impression on young Diogo.
Though he studied at the Military Academy with the intention of becoming a naval officer, the pull of the land proved stronger than the lure of the sea. He transferred to the School of Agriculture, where two encounters shaped his future: one with the legendary enology professor Virgílio Loureiro, and the other with celebrated winemaker Anselmo Mendes. In 2001, Mendes invited Diogo to join one of his harvests. Their collaboration has endured ever since. “Anselmo is my enological father,” Diogo says.
The best place to experience Diogo’s wines is Sal na Adega, a restaurant that treats codfish with the reverence it deserves. It is located next to Adega Mãe, the winery where Diogo crafts his wines.
The clay- and limestone-rich soils of Torres Vedras are ideal for sparkling wines. A striking example is Adega Mãe’s Pinot Noir espumante, which is aged for 45 months. It has a beguiling copper hue and an invigorating freshness. We could not imagine a more brilliant companion until Diogo opened an arresting Brut Nature made from Arinto and Chardonnay. In France, Chardonnay is traditionally paired with Pinot Noir, but here, it has found a dazzling new partner in Portugal’s Arinto. The chemistry between these two grapes is extraordinary. Crisp codfish cakes arrived, perfectly complementing the elegance of both sparkling wines.
Next, Diogo poured a glass of Vital, made from grapes grown in the Montejunto mountains, just eight kilometers from the sea. The terroir, rich in limestone, lends the wine subtle iodine notes and remarkable complexity. It was a perfect match for codfish Brás style, a comforting blend of shredded cod, fried potatoes, and eggs, prepared tableside.
The culinary climax came with the restaurant’s signature dish: codfish cachaço (collar). Diogo paired it with the 2017 Terroir Branco, a masterful blend of Arinto and Viosinho, a Douro varietal that has flourished in this coastal terroir. Made without haste, like in the old days, it is a wine Diogo’s grandfather would surely have cherished.
The meal concluded with a remarkable surprise: a late-harvest made from Sémillon and Petit Manseng. It was dessert in a glass, with notes of orange and fig that enchanted the palate.
If you’re looking for a memorable gastronomic journey, make your way to Sal na Adega. There, you’ll find not only superb codfish dishes but also the exceptional wines of a star winemaker whose journey from childhood harvests to national acclaim is worth celebrating.
We recently attended a Moscatel wine tasting led by enologist Frederico Vilar Gomes and fell in love with these remarkable dessert wines. Crafted in Setúbal, near Lisbon, by José Maria da Fonseca, they are made from Muscat of Alexandria—one of the oldest grape varietals still in cultivation. Enologists are unsure whether this ancient grape hails from Egypt or Greece. But its versatility is undisputed, producing both elegant table wines and rich dessert wines.
Muscat vines offer generous yields and a remarkable genetic diversity that protects them against disease. The grapes are intensely aromatic, resistant to heat, and naturally rich in sugar.
Like Port, Madeira, and Sherry, Moscatel (the Portuguese spelling of Muscatel) is a fortified wine. Brandy is added to halt fermentation before the yeast converts all the grape sugar into alcohol, preserving a lush natural sweetness.
The Moscatel made in Setúbal has been cherished for centuries for its remarkable aging potential. As it matures in oak casks, approximately 2 to 3 percent of the wine evaporates each year—a phenomenon whimsically known as the “angel’s share.” This gradual loss intensifies the wine, concentrating its sugar and acidity and deepening its character.
José Maria da Fonseca, founded in 1834, is one of Portugal’s most famous wine producers. In 1849, it introduced Periquita, the first branded Portuguese red wine. Just a few years later, in 1855, it earned a gold medal at the Paris World Exposition for its Moscatel de Setúbal. Today, the company has over two million liters of Moscatel patiently waiting in barrels for their moment to shine.
In the 19th century, José Maria da Fonseca shipped barrels of Moscatel by sailboat to Brazil, India, and Africa. Occasionally, unsold barrels made their way back, and, to everyone’s surprise, the wine had improved. The heat and humidity of the sea voyage had accelerated the aging process, delivering in just one year the complexity that would have taken a decade to develop on land. Since 2000, the winery has revived this maritime tradition. Its “torna viagem” (roundtrip) Moscatel now sails aboard the Sagres, a majestic Portuguese Navy training ship, before being bottled as a coveted limited edition.
Unlike table wines, which are bottled in dark glass to protect them from light, Moscatel de Setúbal comes in clear bottles. Light exposure helps foster the oxidation that is key to its unique aging process.
We tasted three Moscatel wines from José Maria da Fonseca’s Alambre brand. The first was the classic Alambre Moscatel: a liquid dessert with a vibrant orange hue and flavors of orange, honey, and caramel, seasoned with a hint of lemon zest.
Next, we tried a five-year-old Moscatel made from a rare regional mutation of Muscat—the purple muscat—a grape unique to Setúbal. The wine had a deeper hue and a complex profile: tangerine, apricot, lime, melon, honey, and caramel woven with exotic hints of incense, red pepper, and turmeric.
Our tasting ended with the forty-year-old Alambre. It has a deep color and a taste infused with the distinct aroma of Brazilian oak. The aging process adds complexity to this extraordinary wine, enriching the caramel and honey notes with dried fruits, figs, cloves, and cinnamon flavors.
Whenever we crave an effortless dessert, we reach for a chilled bottle of Moscatel. As the legendary jazz singer Jon Hendricks once put it, “I can’t get well without muscatel.” We couldn’t agree more.
We first met Eduardo in 2019, when he was the head enologist at Herdade da Calada. His life had been marked by tragedy—his wife had passed away, and he found himself raising their three young daughters alone. Seeking a fresh start, he returned to his roots in the Douro Valley and purchased Quinta da Peónia, a historic one-hectare vineyard planted in 1930. It is an estate with a human scale, allowing Eduardo, with the help of his daughters, to handle every step of production—from grafting vines to foot-treading grapes and bottling the wines.
He named this deeply personal project Grande Desafio, meaning “great challenge.” His goal is to create the ultimate handcrafted wines. In 2023, after years of dedication, Eduardo bottled his first vintage—5,000 precious bottles.
Perched on a plateau 550 meters above sea level, Quinta da Peónia is blessed with schist and clay soils. Unlike the famed, fast-draining schist of Foz Côa, Peónia’s porous schist retains water through the winter, naturally sustaining the vines during the dry summer months without irrigation. The altitude brings freshness, while the old vines add remarkable depth and complexity.
Eduardo’s winemaking philosophy focuses on low alcohol and minimal extraction, resulting in light, elegant wines that dance on the palate with remarkable finesse. These wines are rare finds—if you come across a bottle, take it home and treasure it.
Francisco Melícias, the general manager of Quinta de São Sebastião, invited us to visit the estate. So, we traveled along narrow roads that wind through villages where houses are nestled among vineyards until we arrived at Arruda dos Vinhos. This historic town, established in 1160 by Portugal’s first king, owes its name, “wine route,” to its role as a transit point for wines transported by horse-drawn carts to Lisbon.
Arruda’s soils, predominantly limestone and clay with patches of sand, create ideal conditions for viticulture. Limestone promotes deep root growth and imparts minerality and acidity to the wines, while clay retains water, adding richness and structure. The region’s rolling hills and refreshing Atlantic breezes lend complexity to its wines.
The town is steeped in history and faith. São Sebastião, its patron saint, is credited with three miracles. First, in the 14th century, Arruda was spared from the bubonic plague that devastated much of Portugal. Second, in 1755, the town escaped the earthquake, tsunami, and fires that reduced nearby Lisbon to ruins, prompting King José I and his family to seek refuge in Arruda. Third, in the late 18th century, the region’s sand patches protected its vineyards from the phylloxera pest that devastated European vineyards.
Our journey continued up a steep hill to Quinta de São Sebastião, an estate established in 1755. We visited the chapel, once part of a monastery founded by monks who sought peaceful retreat. Francisco tells us that during the Napoleonic invasions, the estate played a role in the Lines of Torres Vedras, a network of fortifications built in 1809–1810 to defend Lisbon against Napoleon’s troops. Today, the remnants of these fortifications are a reminder of the estate’s historical importance.
In the 1980s, António Parente, an industrialist, bought Quinta de São Sebastião and invested in its future. The vineyards, planted on steep hills with different exposures, offer diverse terroirs that allow winemaker Filipe Sevinate Pinto to create distinctive blends. These wines combine traditional local varietals like Touriga Nacional with carefully selected French grapes.
We sampled some remarkable wines in the estate’s tasting room, which overlooks a picturesque riding arena where horses are trained. The 2022 Reserva Branco, a blend of Arinto, Cercial, and Sauvignon Blanc, has a pleasurable intensity and minerality. The Sauvignon Blanc provides a seasoning touch that allows the blend to shine. A surprising single-varietal made from Cercial, a grape known as Esgana-Cão in the Douro Valley, impressed us with its elegance and freshness. The Provence-style rosé, Dona Aninhas, pays tribute to António Parente’s mother with its delightful balance and vibrant acidity.
We also tried three reds. The first, a Reserva, is a blend of Touriga Nacional, Merlot, and Sousão. The aromatic Touriga complements the delicate Merlot, while the lively Sousão provides a touch of exuberance. The second, a blend of Alicante Bouschet and Syrah is intense, offering a beautiful harmony of flavors. Finally, the Grande Reserva—a daring mix of Merlot and Sousão— captivated us with its depth, complexity, and character. This wine is an ode to joy!
Quinta de São Sebastião is building on its rich heritage to create wines that are distinctive and deeply enjoyable.
Quinta de São Sebastião is situated in Arruda dos Vinhos. Click here for their website.
A woman named after a flower crafts enchanting wines on a farm called Serenada, which her family has owned for over three centuries. It sounds like a fairy tale, but the wines are as real as the spell they cast.
As a young girl, Jacinta Sobral had no idea she was destined to become a winemaker. In 1961, one year after getting married, her father, António Sobral, planted a vineyard at Serenada with twelve grape varietals. He crafted his wines with little more than his hands, heart, and the wisdom gained through experience. The vineyard thrived, and in 1970, he decided to plant more vines.
As for Jacinta, she wandered down a different path. She studied the secrets of chemistry and became a microbiologist. But in 2004, as António’s health began to fade, he expressed a desire to teach Jacinta to make white wine. “Anyone can make red wine, but white wine—that is art,” he said. António showed Jacinta the delicate process of decanting free-run juice while preserving the fine lees, which enhance the wine’s texture and complexity.
When António passed away in 2006, he left various properties to his other children but bequeathed Serenada to Jacinta. She felt like a spell had been cast, binding her to the vines. Determined to honor her father, she enrolled in a Master’s program in Agricultural Engineering. There, she found that her background in microbiology was like a magic key, unlocking the mysteries of winemaking. She immersed herself in enology textbooks and crisscrossed Europe to learn from other producers.
Serenada is rich in geological diversity. There are schist soils near the ancient Grândola mountain, veins of manganese and iron, and fields of clay and sand. These nutrient-poor soils stress the grapevines, prompting them to grow deeper roots in search of water and minerals. The cooling Atlantic breeze slows grape ripening, fostering complex flavors while preserving acidity. The result is wines that are fresh, balanced, and vibrant.
Unburdened by convention and free to follow her imagination, Jacinta began exploring different vinification and aging techniques, from fermenting the must in Roman clay amphoras to aging bottles in a cave once mined for pyrite, the mineral known as fool’s gold.
The most remarkable discovery came in 2017 when Jacinta submerged wine bottles 15 meters deep into the ocean. There, the bottles slept in silence, rocked by the waves and shielded from the sun’s light. Eight months later, when Jacinta tasted the wine, she was astonished. These ocean-aged wines were unlike any she had experienced—smooth, ethereal, as if blessed by the ocean’s spirit.
Serenada has a handful of rooms where you can stay, each offering a peaceful retreat surrounded by pines and oak trees. Guests can enjoy scenic walking and cycling trails, delicious meals, picnics, and wine tastings. It’s the perfect place to savor Jacinta’s mesmerizing wines that capture the essence of land and sea.
Serenada is located near Grândola in Alentejo. Click here for their website.
As we arrived at Vale da Capucha, a wine estate in Torres Vedras near Lisbon, a small, cute dog ran up to greet us. “His name is Arinto,” Manuel Marques said as he walked towards us, “all of our dogs are named after grape varieties.”
For the Marques family, producing great wine was never a choice–it was their destiny. Manuel’s great-grandfather was a winemaker, and his grandfather acquired Vale da Capucha to expand the family’s wine production. The estate was famous because it belonged to António Batalha Reis, the first director of the Torres Vedras School of Viticulture. This school taught local farmers how to graft vines onto American rootstock, protecting them from phylloxera, the disease that devastated European vineyards in the late 19th century.
Manuel’s grandfather raised his family on this farm. When he passed away, Teresa, Manuel’s mother, inherited the house and some of the land. She and Afonso, her husband, had busy lives in Lisbon, so they were unsure what to do with the property. But in 2005, the couple came for a weekend and fell in love with country life. They never returned to Lisbon, embracing their new chapter in rural Portugal.
Pedro, Manuel’s brother, had studied enology and saw immense potential in the farm’s terroir for producing high-quality white wines with significant aging potential. The estate’s proximity to the ocean fosters a cool climate, which preserves the acidity in the grapes. At the same time, the limestone-rich soil, packed with 400-million-year-old fossils, lends minerality and complexity to the wines. Manuel joined the venture as the commercial director, and a new era for Vale da Capucha began.
In 2006, the family replanted the vineyards with carefully selected white grape varieties: Fernão Pires, widely grown in the Lisbon region, and Arinto from nearby Bucelas. They also introduced Antão Vaz from Alentejo, as well as Gouveio and Viosinho from the Douro Valley. At Vale da Capucha, these grape varieties developed a distinctive profile, gaining salinity and freshness.
The family made their first wine in 2009 and released it in 2011. Another significant milestone came in 2012, when they embraced biological agriculture to fully express the land’s natural character. Today, Vale da Capucha produces around 60,000 bottles annually. They rely exclusively on wild yeast for fermentation, handpick all their grapes, and practice minimal enological intervention, allowing the wine to reveal the essence of the terroir and tell the story of each vintage.
As we walked through the farm, we saw many animals. The farm raises Alcobaça-spotted pigs, turkeys, and Bresse chickens—Paul Bocuse’s favorite breed–to supply the kitchen with wonderful organic meats.
Manuel invited us to the wine cellar to taste some wines surrounded by old barrels that testify to the estate’s rich history. We started with a 2018 blend of Arinto and Fernão Pires, which impressed us with its stunning color, freshness, and vibrant character. Then, we sampled the 2019 Arinto made from a blend of three different parcels. It has elegant citrus notes, intense minerality, and salinity. These are wines that will age gracefully, becoming more complex and refined with time.
Next, we tasted an interesting Alvarão, a playful twist on Alvarinho, a grape from the Vinho Verde region. A 2019 Fossil “palhete” followed. This wine, made with 80 percent white grapes (Arinto) and 20 percent red grapes (mostly Castelão), is what people used to drink in this region one century ago. Despite its red hue, the wine drank like a white, bursting with freshness. To finish, we sampled a 2014 Syrah—light, earthy, and with only 13 degrees of alcohol–a singular expression of this variety.
The influence of the Atlantic Ocean, with its waves crashing just eight kilometers from the vineyards, gives these wines a distinct character. No wonder they captured the attention of sommeliers and wine enthusiasts searching for something exceptional.
Lunch with Manuel, Afonso, and Teresa in the dining room of the manor house was a gastronomic feast. We were treated to delicious vegetables served with local cheese and country bread, followed by a magnificent roasted lamb and rice made from the animal’s giblets. The 2019 Arinto was the perfect lunch companion, its bright acidity enhancing the flavors of the food.
It was an unforgettable visit to Vale da Capucha, a place where winemaking traditions, organic farming, and a refined understanding of winemaking come together to produce outstanding wines.
Once a month, Vale da Capucha hosts a lunch featuring cozido, a traditional Portuguese stew, paired with their wines. It’s a word-of-mouth event eagerly awaited by those in the know. Occasionally, they announce it on their Instagram page. If you see the posting, don’t miss the opportunity to meet this remarkable family and taste wines that are bringing international acclaim to the Torres Vedras region.
You might not be familiar with António Magalhães, the chief viticulturist of the famed Taylor-Fladgate port house, but if you enjoy exceptional port wines, you’ve likely experienced the fruits of his labor. António has worked for more than three decades in the rolling terraces of the Douro Valley. Throughout this time, nature has gradually revealed to him some of its winemaking secrets. Patience has been essential in this apprenticeship. It can take many years to grasp the impact of viticulture choices on wine production.
António is known for his thoughtful character and gentle disposition. But beneath this demeanor lies a powerful intellect–he has the rigor of a scientist, the curiosity of a historian, and the eloquence of a poet. He believes in combining scientific methods with traditional wisdom and has a deep reverence for the mysteries of winemaking.
In collaboration with a statistician, António sought to unravel some of these mysteries, analyzing climate data since 1941 to identify weather patterns associated with vintage years, the finest for port wine production. They discovered that these years share three characteristics. First, the average temperature in July is less than 24.5 degrees Celsius. Second, two-thirds of the rain falls during the dormancy period (from November to February) and one-third during the growth period (from March to June). Third, there is less than 20 millimeters of rain in September. A small amount of rain at harvest time helps refine the grapes, says António, but too much rain in September fills the grapes with water and promotes fungal diseases. To António’s delight, they found that exceptional vintage years often deviate from the norm in unique ways, a testament to the magic of port wine.
Another facet of this magic is the art of blending. The Douro’s diverse microclimates provide winemakers with a rich palette to adapt to the annual variations in weather. They skillfully blend diverse varietals from vineyards with different locations, altitudes, and sun exposure. António has a profound understanding of the art of blending grounded on his comprehensive knowledge of the Douro subregions—the rain-soaked Baixo Corgo, the moderately wet Cima Corgo, and the arid Douro Superior.
He has studied how grape varietals were adapted to counter the crisis created by phylloxera, an American insect that decimated European vines in the second half of the 19th century. The blight reached the Douro region in 1862-63 and became a severe problem in 1872. Farmers noticed that Mourisco, a varietal with lackluster enological properties, was the most resistant to phylloxera. For this reason, Mourisco was crossed with Touriga Nacional, considered the finest pre-phylloxera varietal, to create Touriga Francesa. The name, which means French Touriga, was likely chosen to honor the French school of viticulture and its contribution to creating phylloxera-resistant varietals.
António also analyzed the various types of American vine roots brought from places like Texas to the Douro Valley to graft European vines and increase their resilience to phylloxera.
Since 1992, António has worked closely with David Guimaraens, the chief enologist at Taylor-Fladgate. Every year, António and David write several letters to the farmers who produce grapes for Taylor-Fladgate, offering insights into the vines’ current conditions and the most effective viticulture practices to respond to them. This educational effort is vital to the quality of the Taylor-Fladgate ports.
Concerned with the impact of heavy rainfall on soil erosion, António and David developed a new model for the terraces where the vines are planted. They had an epiphany while visiting the Benziger family, a biodynamic wine producer in California. It started to rain torrentially, and as they ran for shelter, they noticed that the rain was running with them. They realized that this kind of drainage, created by a three percent gradient, is what the Douro Valley needs.
António and David asked earthmoving companies to find a bulldozer narrow enough to fit in the terraces and capable of creating a three percent inclination. One of the companies found a second-hand machine used in rice plantations in the south of Portugal. The company’s manager called to say that the machine had an unusual device. “Bring it along,” said António. It turned out that the device was a laser that greatly simplified the task of creating a three percent slope. They later learned that the Benziger farmland had been graded by Chinese workers, who were likely to be familiar with the three percent inclination used in rice cultivation.
The Taylor-Fladgate farms stand out for their beauty because António is a sculptor of landscapes. He knows that cultivating a vineyard, planting a tree, or building a stone wall alters the scenery, and like an artist, he selects colors that harmonize, proportions that feel human, rhythms that please the eye.
António is passionate about researching the history of the Douro region. He often visits Torre do Tombo, a vast national archive with documents spanning nine centuries of Portuguese history. The writings of Álvaro Moreira da Fonseca (the creator of the vine quality scoring system still in use), the Baron of Fladgate, John Croft, José Costa Lima, A. Guerra Tenreiro, and many other Douro luminaries are his constant companions.
His extensive knowledge of history gives him a unique appreciation for the sacrifices made by generations of workers who have toiled in the Douro region. This understanding is evident in how António interacts with the people he manages. His sincere appreciation for their efforts earns him the loyalty and trust of his collaborators.
Today, António Magalhães retires as Taylor-Fladgate’s chief viticulturist. This milestone marks the beginning of a new chapter. We hope that António can now find the time to write a treatise on viticulture so that, as the climate continues to change, his erudition can illuminate the future of the Douro Valley.
Salt of Portugal 